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James Farncombe

The Cherry Orchard (St. Ann’s Warehouse)

April 5, 2025

The results of this updating are bold, and Andrews’ intellectual ambition is undeniable. At times, his revisions might seem questionable but when the production clicks, it strikes with a thrilling originality. The production pulses with an urgency often missing from more traditional revivals of "The Cherry Orchard," a play about people running out of time. The central conflict remains: Liubov, the bankrupt widow haunted by the ghosts of her past, returns to her family estate for the inevitable sale of the land that defines her family’s history. Practical solutions are needed, but neither she nor her hapless relatives can take decisive action. [more]

Vanya

March 26, 2025

Andrew Scott in the one-man show “Vanya” after Anton Chekhov at the Lucille Lortel Theatre [more]

People, Places & Things

November 8, 2017

The hype that surrounds an award-winning performance on one side of the Atlantic can often preclude its impact if and when it arrives on the other side. This is not the case, I’m happy to report, with the overwhelmingly powerful performance of Denise Gough who deservedly won the Olivier Award as Emma in "People, Places & Things," a new play by Duncan MacMillan, which premiered in London in 2015, and is now enjoying its American premiere at St. Ann’s Warehouse in Brooklyn. [more]

Beckett Trilogy: Not I /Footfalls/ Rockaby

April 15, 2016

Scholars, critics, actors and audiences have long been entranced and intrigued by these plays. They appear to reflect Beckett’s perpetual theme of despair and joy coexisting within the human condition. This mesmerizing production of "Beckett Trilogy: Not I/Footfalls/Rockaby" vividly captures that expression with Lisa Dwan’s titanic performance and its striking presentation. [more]