The First Line of Dante’s Inferno
The opening gesture of Dante Alighieri’s "Inferno"—that immortal confession of midlife disorientation in which a wanderer finds himself astray from the “straight road” and deposited in a “dark wood”—has rarely felt as theatrically apt as it does in "The First Line of Dante’s Inferno," Kirk Lynn’s sly, searching, and disarmingly funny new experiment in staged storytelling. Lynn, a polymath of the American theater—playwright, novelist, screenwriter, educator, and guiding spirit of the Austin collective Rude Mechs—treats Dante’s premise less as a theological map than as a psychological condition. His forest is not an allegorical afterlife but a contemporary wilderness in which several souls, one quite literally at midlife, appear to have misplaced the coordinates of their former selves. [more]
