News Ticker

David Mendizabal

Mexodus

October 2, 2025

Actors and musicians Brian Quijada and Nygel D. Robinson have written a dynamic, exciting new two-character hip-hop musical in "Mexodus," a telling of the little known story of the Underground Railroad that went South to Mexico. It may also be the first New York musical to use live-looping for its soundtrack, with both musicians playing multiple instruments as well. "Mexodus" not only tells the tale of a Texas slave who escapes to Mexico but also the stories of both of its performers. The current relevance of the show to our immigration situation cannot be underestimated. [more]

Then They Forgot About the Rest

April 23, 2019

Playwright Georgina Escobar presents an exuberant hodgepodge of sci-fi elements and satirical corporate bits with a feminist slant. Ms. Escobar’s punchy pseudo-scientific dialogue carries her choppy scenario with its shades of "Eternal Sunshine of the Spotless Mind" to sustaining the mildly entertaining 80 minutes. Escobar has a command of language, sprinkling catchphrases that land throughout. Early onset, end of days, extreme memory vetting, protein inhibitor and Petro Corp all get a lot of mileage. It doesn’t all gel, vagueness abounds but there’s spirited integrity. “…I’m asking improbable questions seeking impossible answers,” Escobar states in her program notes. [more]

Locusts Have No King

March 31, 2016

Much of "Locusts Have No King" by J. Julian Christopher appears to be in the well-mined terrain of Mart Crowley’s "The Boys in the Band," Edward Albee’s "Who’s Afraid of Virginia Woolf?" and the works of Terrence McNally. Gay relationships are explored in blistering detail but gradually there is the Jean Genet bombshell that the action takes place in the contemporary Long Island rectory where they all live. [more]