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Brenda Braxton

Mystic Conversations

May 4, 2025

The play is a nicely developing mystery fantasy story about the paranormal, but when the teenage boy is revealed as the Spirit Child, the show goes off track. The idea presented is that the Spirit Child is the child who would have been born except for the miscarriage. This idea is a stretch in believability for the dramatic structure of the show. It introduces the idea that a consciousness once attached to a developing embryo continues to be attached to the woman who was carrying that embryo even after the tissue has been expelled through a miscarriage. It turns on its head the whole idea of developmental psychology. How is it possible for the miscarried tissue that was not even old enough to definitively determine sex to become a spirit that ages as if it had been born? [more]

Caesar and Cleopatra

October 7, 2019

When the Gingold Theatrical Group’s revival of Bernard Shaw’s epic "Caesar and Cleopatra" begins, the characters are wearing white contemporary clothes and sitting on what looks like an excavation site which might give one pause. Like David Staller’s revival of "Heartbreak House" last year, his Caesar and Cleopatra tries to give this 1898 play a more contemporary relevance, but unlike Heartbreak House which pointlessly updated that play to W.W. II rather than the usual W.W. I setting, this modern approach works extremely well and proves to be quite charming. [more]

Wikimusical

July 17, 2014

This show is not good, and that however much their acquaintances may enjoy the performance this is not going to appeal to anyone else. [more]