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Benjamin Britten

Zemlinskys Zimmer/Zemlinsky’s Room

June 10, 2025

Conducted expertly by Tiffany Chang in a new chamber orchestration by Roland Freisitzer, this three-character opera is inspired by the lush romantic sound of Richard Wagner and Richard Strauss. As the libretto is based on a German prose translation of the Wilde play by Max Meyerfeld, there are no arias per se but the leading character Simone, a Florentine fabric merchant, has many long passages. Artistic director Philip Shneidman who staged the evening has chosen to set it in turn-of-the-last-century Vienna, home to Zemlinsky, rather than Florence in the 16th century as Oscar Wilde’s play is set. This takes a bit of getting used to considering the plot and the subject matter. However, Kylee Loera’s projection design of historical photographs of Vienna city streets and then an art nouveau wallpapered room sets the proper mood for pre-W.W. I Vienna. [more]

Fall for Dance – Program E

October 23, 2017

The highlight of the program was watching the world-renowned premier danseur David Hallberg perform a work specially commissioned for him by Fall for Dance.  Mark Morris, the equally famous and respected choreographer, chose Benjamin Britten’s “Twelve Variations for Piano” as his score for the coyly humorous “Twelve of ‘Em.” The tone was set by Isaac Mizrahi’s wry costumes for both Mr. Hallberg and the adroit pianist Colin Fowler who was totally in synch with Morris’ tongue-in-cheek sense of humor.  Both wore ancient Greek-like flowing tunics over t-shirts and jeans.  [more]

The Royal Ballet 2015: Program B

July 3, 2015

he Royal Ballet’s second program of its ridiculously short season at the David H. Koch Theater was disappointing as much for what was on it as for what wasn’t. What wasn’t there were any classical works. Among divertissement-type short works making up the second part of the show, there was not one classical Pas de Deux. Instead, the program opened with an abstruse modern ballet and ended with an equally abstruse new version of an old one with six very short works of varying quality and appropriateness sandwiched in between. [more]