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Andy Henderson

Waiting for Godot

October 13, 2025

Seriously, using a childhood favorite to throw existential dread into the increasingly lined faces of Gen-Xers isn't a bad idea. At times, it's even brilliant. By respectively casting the now 60-something Alex Winter and Keanu Reeves as Beckett's tragicomic vagabonds Vladimir (née Bill) and Estragon (née Ted), Lloyd creates an often giddily effective cross-decade continuum between highbrow and popular entertainment, which likely would have pleased the Irish playwright's vaudevillian sensibilities. Unfortunately, aside from all the usual Beckettian stuff about the futility of life, the real downer with this new production of Waiting for Godot is that Lloyd can't stop inserting himself into it, as if he's weirdly competing with Beckett for storytelling supremacy. Needless to note, that's a losing proposition. [more]

The Least Problematic Woman in the World

October 11, 2025

Under the weight of the show's ambition, Dylan Mulvaney is a star. Not in the manufactured influencer sense, but in the time-honored theatrical tradition of the charismatic truth-teller who can command a stage with little more than timing, talent, and tenacity. She invites us to laugh with her, cry with her, rage with her—and then, perhaps, go out into the world a little more willing to see the humanity in people who are simply just trying to “be.” "The Least Problematic Woman in the World" is not without flaws—but like its creator, it dares to be seen in all its contradictions. And that is the most radical act of all. [more]