Andrew Boyce

The Monsters

February 22, 2026

Written and directed by Ngozi Anyanwu, author of "The Last of the Love Letters" (Atlantic Theater Company) and "Good Grief" (Vineyard Theatre), 'The Monsters" is a tour de force for two actors who have the chops for this very physical outing both emotionally and literally and luckily Aigner Mizzelle and Okieriete Onaodowan have what it takes. Aided by the choreography of Rickey Tripp, the fight direction of Gerry Rodriguez, and the work of MMA consultant Sijara Eubanks, the realistic fights mainly pantomimed with only one participant (except for Lil’s training sessions which include Big) make us believe we are seeing two people fighting. [more]

The Burning Cauldron of Fiery Fire

November 21, 2025

Tom Pecinka and Marianne Rendón in a scene from Anne Washburn’s “The Burning Cauldron of Fiery [more]

The Wild Duck

September 21, 2025

The latest revival has been directed by Simon Godwin, artistic director of Washington, D.C.’s Shakespeare Theatre Company, in a co-production with Theatre for a New Audience. This revival uses the contemporary version by David Eldridge, first seen at London’s Donmar Warehouse in 2005 which combines some of the minor characters, shortening the cast list. While the text is clear, the uneven acting and interpretation of the characters undermines the play’s powerful and tragic resolution. [more]

Dana H.

February 26, 2020

Wearing costume designer Janice Pytel’s arresting black and red ensemble, Ms. O’Connell mostly sits in a chair on scenic designer Andrew Boyce’s authentically detailed drab and ominous motel room set. With her haunting eyes, flowing hair and magnetic countenance, O’Connell vividly channels Higginbotham’s presence. Her lip-synching, gestures and facial expressions are all flawless. The presentation’s conceit is realized by O’Connell’s supreme artistry. [more]

Fear

October 28, 2019

"The Cosby Show," "Home Improvement" and "Roseanne" are among Mr. Williams’ prominent credits as a television writer and producer. Williams also has had several plays produced and has directed a number of theater productions. Fear is in the venerable tradition of "The Petrified Forest" and "The Desperate Hours" with dashes of "The Bad Seed." It exhibits a technical facility for dramatic writing with its sharp dialogue delivered by its diverse well-drawn characters enmeshed in a suspenseful scenario out of French cinema. Lamentably, Williams doesn’t go all the way in rendering Fear’s classic whodunit aspects. It all plays out inconclusively and without satisfaction. [more]

runboyrun & In Old Age

October 9, 2019

Despite the fine writing and acting, these two plays do not stand alone: we are given no backstory to understand the context for these relationships in the longer saga; both plays dealing with a character’s depression, they are too similar in the theme of being haunted by the past; and thirdly, as they are basically two-character plays, both are too long for the limited story and plot lines they contain. Unlike the first two plays, these use two different directors (Loretta Greco for "runboyrun," and Awoye Timpo for "In Old Age"), ironically making them seem quite similar in style. [more]