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The New One

The comedian/monologist mines all the humor out of having a new baby – one he didn’t want.

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Mike Birbiglia in a scene from “The New One” (Photo credit: Joan Marcus)

[avatar user=”Victor Gluck” size=”96″ align=”left” ] Victor Gluck, Editor-in-Chief[/avatar]Comedian/monologist Mike Birbiglia, best known for Sleepwalk with Me, has the remarkable knack of finding humor in autobiographical crises that shouldn’t be funny but in his hands are uproarious. His latest show, The New One, is just as hilarious as the previous ones. When Mike and his wife, the poet Jennifer Hope Stein, got married he pointedly told her that he did not ever want to have children, and she agreed. Ten years later Jen has changed her mind and tells him, “A baby wouldn’t have to change the way we live our lives,” probably the understatement of the century.

Birbiglia always starts his monologues seemingly from some place other than the topic at hand. Here he starts – and ends – with his beloved couch, the first big thing that he ever spent big money on. It is a place where he and his wife take naps on, eat pizza and hamburgers, and watch many hours of television. This somehow leads to his seven reasons why he doesn’t want kids, not least of all his continuing problem with sleepwalking and his other physical ailments, not entirely expected for someone only approaching his 40th birthday.

Mike Birbiglia in a scene from “The New One” (Photo credit: Joan Marcus)

He is reinforced in his beliefs when he visits his formerly cool brother Joe who now has two kids. His nephew Henry whacks at him with a foam bat, his brother can’t go to the band concert at the local club, and Mike is subjected to watching a 12 minute video of Henry picking apples. And although Joe seems miserable, he claims having children is “the most joy I’ve ever experienced” and Mike won’t know about it until he has his own.

Mike’s wife convinces him to have a child with the declaration that she knows he “will be a good dad.” And then they discover that Mike has a low sperm count which leads to another series of medical interventions, none of which ought to be funny, but somehow are hysterical. Eventually, his wife is “pregnant for about 75 months.” “And it was a brutal pregnancy. It was hard for her too,” he recalls. Then baby Oona (meaning “one” as he isn’t planning on having a second child) is born and his life is never the same again, particularly since his wife always sides with Oona and against him.

Mike Birbiglia in a scene from “The New One” (Photo credit: Joan Marcus)

Birbiglia’s grin is infectious, and after each and every punchline while the audience is still laughing, he delivers that bemused look as though he is enjoying the recollection as much as we are. This always seems to keep the laughter going longer. He also knows how to milk the most mundane material for a seemingly endless series of one-liners, a never ending stream of humor on one of life’s many absurdities which he has lived through – and survived. The show becomes a little more serious after Oona is born, but then it becomes much more real even as we are still laughing.

Under the direction of Seth Barrish who has directed him in all of his New York shows, he makes terrific use of the entire stage as well as plays off of the audience from many sections. Set designer Beowulf Boritt has a trick up his sleeve that would not be fair to give away. Suffice it to say that it is a coup de théâtre that wins prizes at awards time. If you want to laugh for 90 minutes straight, don’t miss this show meant for adults. The run is short as New York is just one stop on Birbiglia’s scheduled national tour. The New One is just the sort of laugh fest that we need right now.

Mike Birbiglia: The New One (through August 26, 2018)

Mainstage at the Cherry Lane Theatre, 38  Commerce Street, in Manhattan

For tickets, call 866-811-4111 or visit

Running time: 90 minutes with no intermission

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About Victor Gluck, Editor-in-Chief (989 Articles)
Victor Gluck was a drama critic and arts journalist with Back Stage from 1980 – 2006. He started reviewing for in 2006, where he was also Associate Editor from 2011-2013, and has been Editor-in-Chief since 2014. He is a voting member of The Drama Desk, the Outer Critics Circle, the American Theatre Critics Association, and the Dramatists Guild of America. His plays have been performed at the Quaigh Theatre, Ryan Repertory Company, St. Clements Church, Nuyorican Poets Café and The Gene Frankel Playwrights/Directors Lab.

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