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The Magic Fish

Delightful and melodic new one-act opera is fun for both young audiences and adults alike.

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Brian Goff in the title role of “The Magic Fish” (photo credit: Sean Moonsammy)

Brian Goff in the title role of “The Magic Fish” (photo credit: Sean Moonsammy)

[avatar user=”Victor Gluck” size=”96″ align=”left” ] Victor Gluck, Editor-in-Chief[/avatar] Intended for young audiences to be performed by adults, the charming new one-act opera The Magic Fish, based on The Brothers Grimm’s “The Fisherman’s Wife,” is fun for people of all ages. Reimagined by playwright Jim Knable (2008 Spain at MCC Theatre) in a witty style with lovely melodic music by composer Sunny Knable, The Magic Fish also includes clever audience participation at suitable moments. Directed by Nicolas Minas for Musica Reginae with the composer at the piano, the professional cast of singers made this Queens premiere a diverting hour of musical theater.

Narrated by a new character not in the original Grimm story, the Otter who periodically asks questions of the audience, The Magic Fish is about the son of a fisherman who in trying to help out his family catches a magic fish. For throwing him back in the sea, the Magic Fish grants him a wish which the boy uses for a very large fish to take home to his parents. When his parents don’t believe his story, they send him back to ask for three new pairs of shoes. Discovering that the Magic Fish has real powers, they return to the shore to ask for first a very large boat, then a mansion, and finally to be king and queen. For each additional wish, the Magic Fish requires a bigger and bigger fee. When the items that they have been given do not slake their greed, they ask for more. But the Magic Fish asks for something they are reluctant to give. The moral of the story is to be happy with what you have rather than wanting things that may have bad consequences. The Otter turns out to be a girl who has been enchanted by the Magic Fish, all is returned to normal at the end of the opera.

Laura Kay, David Burkard and Conor McDonald in a scene from “The Magic Fish” (Photo credit: Sean Moonsammy)

Laura Kay, David Burkard and Conor McDonald in a scene from “The Magic Fish” (Photo credit: Sean Moonsammy)

Sunny Knable’s music is romantic and lilting. He has called his style a cross between Stephen Sondheim and Benjamin Britten. In this he does himself an injustice as his music is much more melodic. As an American opera composer, he follows in the footsteps of Douglas Moore, Carlyle Floyd, Dominick Argento and Thomas Pasateri. Jim Knable’s libretto cleverly uses spoken dialogue for the prose passage and rhymed verse for the musical settings. The vocabulary is suitable for young children but the sentiments and plot complications are entertaining for adults.

Performed by adults, the juvenile roles are deftly played. At the son of the fisherman, tenor David Burkard brought a suitable boyishness to this role of a youth who is years older than his parents. Brian Goff used his resonant baritone to bring a wry and ironic perspective to the role of the cunning Magic Fish. The lovely soprano of Danielle Good was in evidence in her roles as both the Otter and the Girl, as well as in her duets with Burkard. Soprano Laura Kay and baritone Conor McDonald gave able support as the Fisherman and his wife. Under the authoritative music direction of the composer, the cast demonstrated particularly fine top notes. The colorful and witty costumes were the work of Nicole V. Moody. The designs for the Otter and the Magic Fish were particularly memorable. Stephen Macquignon was responsible for the backdrop which served well for both the interior and exterior scenes. The uncredited props were delightfully in keeping with the ironic tone of the production.

There are few new American operas and even fewer written with young audiences in mind. The Brothers Knable have a hit in their collaboration The Magic Fish which has been given an excellent production by Musica Reginae.

Future Performances of Musica Reginae’s 15th Anniversary Season at The Church-in-the-Gardens, 50 Ascan Avenue, Forest Hills, Queens, all at 7:30 PM except where noted:

Saturday, November 14      – Percussia-Chamber Music for a New World

Saturday, February 6          – Parthenia Viol Consort

Saturday, March 5               – Lexington Piano Trio with Barbara Podgurski

Saturday, April 16                – Momenta and Daedalus Quartets Perform Octets for Strings

Thursday, May 19 at 8 PM – Makoto Nakura and Barbara Podgurski Explore New Music for Marimba, part of the 5th Annual Queens New Music Festival produced in conjunction with Random Access Music

The Magic Fish (October 4, 2015)

Musica Reginae Productions

The Community House, 15 Borage Place, Forest Hills, Queens

For tickets or information, visit

Running time: 50 minutes with no intermission

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About Victor Gluck, Editor-in-Chief (990 Articles)
Victor Gluck was a drama critic and arts journalist with Back Stage from 1980 – 2006. He started reviewing for in 2006, where he was also Associate Editor from 2011-2013, and has been Editor-in-Chief since 2014. He is a voting member of The Drama Desk, the Outer Critics Circle, the American Theatre Critics Association, and the Dramatists Guild of America. His plays have been performed at the Quaigh Theatre, Ryan Repertory Company, St. Clements Church, Nuyorican Poets Café and The Gene Frankel Playwrights/Directors Lab.

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