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Tilly Grimes

Cruel Intentions: The Musical

December 28, 2017

As "Rock of Ages" did for the 1980’s, "Cruel Intentions: The Musical" does for the 1990’s. This is a carefree entertainment accompanied by the revelry incited by a two-item minimum in a nightclub. For many audience members, the Proustian pleasure of experiencing songs that they fondly recall shoehorned into the plot from a minor movie they might remember will suffice.  It’s decidedly not an event for musical theater connoisseurs. [more]

What We’re Up Against

November 9, 2017

With "What We’re Up Against," Theresa Rebeck looks back a quarter century to a time when gender inequality in the workplace was a real problem. Oh, wait…yep, unfortunately, if Rebeck’s script didn’t tell us the year was 1992, it would be pretty easy to believe she was writing about the present, especially given the recent avalanche of news concerning sexual harassment and assault in the entertainment industry. The story Rebeck tells never sinks to this horrific level, though it’s possible to imagine that it could have, if she had wanted to follow the male anger she portrays to a place it often leads. [more]

The Government Inspector

June 2, 2017

Director Jesse Berger’s fast-paced staging is an exuberant amalgam of physical and verbal virtuosity combined with visual flair. A highlight is a crowd of characters hurrying into a closet and popping out one by one that’s out of a Marx Brothers movie. There’s also the spectacle of a group of bearded, shabby villagers of various heights storming The Mayor’s house in their flowing garments. [more]

Diva: Live From Hell

April 4, 2017

"Diva: Live From Hell," an energetic, campy variation on the “All About Eve” theme, is performed with manic glee by Sean Patrick Monahan who also wrote the book and created all the colorful characters. His partner in crime is Alexander Sage Oyen who provided the music and lyrics. Sex (requited and unrequited), ugly violence and dark humor are all thrown into the story which is told by Desmond Channing (Monahan, who also plays virtually a high school’s worth of characters). [more]

Underground Railroad Game

October 11, 2016

Sheppard recollected that in the Underground Railroad game his fifth grade classmates were designated to be either Union or Confederate soldiers. The Yankees (Union) tried to covertly run slaves (portrayed as “black dolls”) from a classroom “safe house” to another classroom “safe house.” The Rebels (Confederates) endeavored to prevent the Yanks from accomplishing their mission. The end goal was to secret slaves or dolls to Canada (a school lobby glass case filled with memorabilia served as Canada). [more]

Small Mouth Sounds

July 27, 2016

Inspired by the playwright’s attending a silent spiritual retreat at an upstate New York institute in the woods, this is an absorbing play which immediately causes the viewers to listen intently as our world is never really silent. In Stowe Nelson’s remarkable soundscape, the play begins with a torrential rain, and then proceeds to a great many sounds we usually take for granted (both performed by the actors and recorded): breathing, laughing, clicking of a pen, sighing, a gong ringing, whispers, giggling, crickets chirping, the crunching of chips, birds, a sip of tea, a sneeze, coughing, a cell phone ringing. As a result of this state of affairs and the fact that the actors (in general) don’t speak, we become attuned to watch the smallest facial expression and other forms of non-verbal communication. [more]

The Winter’s Tale

February 27, 2015

"The Winter’s Tale" is classified as one of Shakespeare’s “problem plays” or “dark comedies” and as such it does not get produced very often. Under the direction of The Shakespeare Society’s Michael Sexton, The Pearl Theatre’s revival is elegant and entertaining. It solves some of the play’s problems while creating new ones. Surprisingly, the contemporary sets by Brett J. Banakis and costumes by Tilly Grimes work amazingly well for a tale told of the 16th century. [more]