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The Joyce Theater

Complexions Contemporary Ballet: Program A

February 28, 2019

In “Star Dust,” a 2016 ballet tribute to David Bowie, Rhoden displayed his mordantly campy side in a series of scenes, each devoted to a famous Bowie number, beginning with Brandon Gray leading the company in “Lazarus,” setting the format for the rest of the ballet.  His face streaked with makeup, his hair aglow with color, Gray prowled proudly about the stage mouthing the words that Bowie sang.  He seemed very satisfied with himself. [more]

Balletboyz: “Young Men”

February 7, 2019

The two directors/founders of BalletBoyz, Michael Nunn and William Trevitt, directed and photographed the film which also included Pérez’s choreography.  Although the movie certainly illuminated the dark themes for a screen-crazy audience, it too often was a distraction when the dancers were performing in front of the screen, spread out across the Joyce stage.   Having to choose between the live and the filmed action became a problem even though both were of equal technical merit. [more]

L-E-V:  Love Chapter II

January 29, 2019

Casual strolling was suddenly punctuated by dancers bumping and grinding at each other, these full-bodied movements resonating in slightly different ways in each dancer, sometimes leading to entwining, slithering, sweaty duets.  Faces displayed over-the-top grimaces and uneasy forced smiles which led to desperate, phony-sounding laughing.  Arms were swung or used to produce angular silhouettes with studied nonchalance. Bodies twitched and twisted to staccato beats—music composed and arranged by Ori Lichtik whose score for “Love Chapter II” began with barely audible electronic beats which grew in volume and speed until the score suddenly became a Latino Cha-Cha to which the dancers seemed to glory. [more]

Batsheva – The Young Ensemble: “Naharin’s Virus”

July 16, 2018

Naharin is known for having “invented” a movement language called Gaga.  Frankly, I’ve never been able to distinguish Gaga from any other movement palette.  If Gaga means disconnected bits of movement utilizing hints of modern, ballet, hip-hop, mime and even ethnic movements, then it’s not particularly original.  All these movement vocabularies were on display in “Naharin’s Virus” whose sixteen-member cast was put through their paces for an overlong hour.  (The work could easily have been edited down by at least twenty minutes and been more effective, particularly by eliminating a long monologue about a self-abusing young lady.) [more]

Parsons Dance Company 2018

May 22, 2018

The new work, “Microburst,” was a quartet performed to classical Indian music composed and played live by Avirodh Sharma.  Brilliant and audacious, “Microburst” took the four dancers, all wearing black, fringed outfits—by Barbara Erin Delo— through complex rhythmic patterns that magically fit together as if the four were having a hyperkinetic conversation with their feet.  The agility of the four dancers—Geena Pacareu, Eoghan Dillon, Zoey Anderson and Justus Whitfield—was breathtaking and entertaining. [more]