Patrick Robustelli
Popular Articles
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I want to be clear. "The Music Man" is such a masterfully written musical that making some changes here and there can’t really ruin it; but changes are not needed in this show and they certainly don’t help. I believe in the old saying: “If it ain’t broke, don’t fix it!” I also believe, as Tommy Tune once told me years ago in discussing a different show, many producers and directors feel a need to tinker with shows, making changes for the sake of making changes, even when the wiser choice would be to simply leave things alone. There’s just that desire to “improve” things, whether or not the changes actually improve anything. [more] -
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Random Articles
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The question arises who is the intended audience. The 60-minute show is too slow for young children and too repetitious for adults. Possibly this is meant for the nostalgia crowd of which there are apparently legions. The thin story line is a watered-down version of the original A.A. Milne stories that inspired the animated films Winnie the Pooh and the Honey Tree, Winnie the Pooh and the Blustery Day as well as a tale of Tigger’s infamous bouncing. All of the famous characters put in an appearance: easily frightened Piglet, gloomy Eeyore, cranky Rabbit, wise Owl, energetic Tigger, maternal Kanga and curious Roo. Christopher Robin (played alternately by Kaydn Kuioka, Max Lamberg, and Cooper Lantz) spends the day at school but is reunited with Winnie the Pooh just before the final curtain. Surprisingly, he does not have a British accent. [more] -
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