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Monica Steuer

Bloom

April 26, 2022

Direction by Victoria Pérez could have better negotiated the script transitions and emotional shaping of the piece; however, script, director and actors, as well as lighting design by Miguel Valderrama and sound design by Michael Hernandez all come together to create a moving ending which comes with no answers but does provide a sense of closure. "Bloom" hasn’t fully flowered in this incarnation, but perhaps more will be revealed in future productions. [more]

Fur

November 13, 2019

Migdalia Cruz’s "Fur" (presented by Boundless Theatre Company at Next Door @NYTW) has the sensibility of a folk tale, the coherency of a fever dream, and the trappings of a horror movie. It’s an unsettling piece of theater. After you’ve seen it, don’t be surprised if it noses its way into your psyche and burrows into your personal dreamscape. This production, directed by Elena Araoz, is the play’s New York City premiere. (It debuted in Chicago in 1995.) According to Cruz’s stage directions, it takes place in a post-apocalyptic Los Angeles suburb, but the playwright isn’t necessarily concerned about specifics of time or place. In fact, the play seems to transpire in some shadowy corner of the collective unconscious. [more]

The Conduct of Life

September 16, 2018

Farce meets tragedy in a fictional unnamed Latin American country in "The Conduct of Life." It’s a raucous yet insightful fantasia about military oppression taking its toll on the populace by the celebrated playwright María Irene Fornés. First performed in 1985 it is being given an inspired revival by the Boundless Theatre Company that is “spearheaded by women and theatre-makers of color.” The play is structured as 19 short, often absurdly funny and sometimes unsettling scenes, some lasting just a few seconds, that total 75 fascinating minutes. [more]