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Michael Aguirre

The Greatest Hits Down Route 66

January 28, 2024

The title of Michael Aguirre’s "The Greatest Hits Down Route 66," the story of the Franco family’s road trip during the summer of 1999, refers to Carl Sandburg’s 1927 "The American Songbag,' a best-selling collection of early folksongs. Aguirre tells us that “the goal is to use music as a memory, an imprint, incidental. It should carry emotional weight but don’t depend on it to move the plot forward.” And that is the problem with the show: the songs are extraneous to the plot and have little impact as most of the 13 songs sung are so familiar, in the musical arrangements of Grace Yukich and Jennifer C. Dauphinais. There are no surprises in the music played by a three piece band and a lead vocalist, Hannah-Kathryn “HK” Wall. Occasionally, the narrator played by Joél Acosta joins in or sings a song himself. [more]

The Jackson C. Frank Listening Party w/Special Guest

March 29, 2021

Aguirre manages to have written a play that doesn’t feel like a play thanks to his interpretation of the main character.  He doesn’t overdo the emotions, letting the songs carry that weight for him. Sarah Norris’ direction—aided by Hallie Griffin’s skillful film and sound editing—is unobtrusive except for allowing the two women characters to veer towards stereotype, particularly when Aguirre’s Allen is so natural. [more]

Brecht: Call and Respond (an evening of three one-acts)

February 4, 2020

“Producing theatrical works that feature compelling stories created by emerging theater artists” is from the New Light Theater Project’s self-description. Their vastly and thoughtfully entertaining presentation, "Brecht: Call and Respond (an evening of three one-acts)" achieves that aim. Bertolt Brecht may not be an emerging theater artist, but the other two playwrights certainly are. [more]

The Great Novel

June 19, 2019

The perennial tale of a noble servant exploited by a self-absorbed upper class family is given a bewildering and tedious treatment by playwright Amina Henry in "The Great Novel." It’s an enervating 95 minute mashup of lesser Ionesco with helpings of Wes Anderson and the visual style of John Singer Sargent. [more]