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Gina Costigan

Party Face

January 31, 2018

The best reason to see Isobel Mahon’s "Party Face" is to see the ever-lovely Hayley Mills who used to play mischievous teens and now is playing busy-body mothers. The play is diverting though it has nothing new to say about women and their contemporary roles. Under Amanda Bearse’s direction, the play also gives Klea Blackhurst another off-beat comic role in which she shines.  [more]

The Suitcase Under the Bed

August 27, 2017

Exquisitely produced by the Mint Theater, Jonathan Bank’s direction is leisurely and slow, which undercuts the theatricality of all but the last and the most satisfying one, 'The King of Spain’s Daughter," originally given four separate stage productions at the Abbey from 1935-1939 and two in London in 1939. Using a company of seven, the actors appear in varying combinations while all appear in the third play, "Holiday House. " Two of the plays end too abruptly calling out for a more substantial length, while one of the plays seems to go on too long. [more]

Crackskull Row

September 8, 2016

Director Kira Simring’s superior staging theatrically presents the play’s complicated situations with clarity and surrealistic flourishes. Characters often enter and exit through unlikely places such as through the audience or from a side door. Though the play lasts only 75 minutes, Ms. Simring’s physical realization of it makes it seem lengthier with the depth she has brought to it. Her results with the cast, some of who play dual roles is superb. [more]