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Frederick Ashton

Natalia Osipova: Force of Nature

January 24, 2023

The ballerina Natalia Osipova easily transformed herself from spectral to sensuous to eerie in just the first half of her 'Force of Nature" program at the New York City Center. The show—presented sadly only once—was one of the best in the popular genre of ballet star-led gatherings.  Osipova’s company members were all superb; it was a company of equals with little frivolous ego on display. Some came from her home troupe, the Royal Ballet; others from American Ballet Theatre and the rest from young ballet troupes. To display her classical bona fides, she opened the program with the Act Two Pas de Deux from "Giselle," brilliantly partnered by the handsome, technically smooth Marcelino Sambé, a principal dancer from the Royal Ballet.  In this duet, the spirit of the title character meets for the last time her royal suitor whose attentions in the first act resulted in her early death.  She is now a Wili, a girl who has died before being wed, but she is forgiving. His character is Albrecht.  He meets her and partners her in lovely poses and windblown lifts.  Osipova’s light as air jumps and floating arms were marvelous. These two produced a masterful performance helped by a particularly fine recording of Adolph Adam’s famous score. [more]

American Ballet Theatre: La Fille mal gardée

June 1, 2016

Leading this bucolic tale of amor interruptus were Gillian Murphy (her usual strong technique subsumed in girlish sweetness) as the farm girl, Lise, the “badly guarded girl” of the title, and Cory Stearns (at his lyrical best) as Colas, her young farmer swain. In the drag role of Lise’s mother, Widow Simone, was Marcelo Gomes, the still vibrant classicist perhaps just having a bit of fun in a character role, or keeping an eye on the future—distant future!—when character roles will be the natural progression for this great artist. [more]

The Royal Ballet 2015: Program B

July 3, 2015

he Royal Ballet’s second program of its ridiculously short season at the David H. Koch Theater was disappointing as much for what was on it as for what wasn’t. What wasn’t there were any classical works. Among divertissement-type short works making up the second part of the show, there was not one classical Pas de Deux. Instead, the program opened with an abstruse modern ballet and ended with an equally abstruse new version of an old one with six very short works of varying quality and appropriateness sandwiched in between. [more]

The Royal Ballet: “The Dream” and “Song of the Earth” 

June 26, 2015

The Joyce Theater Foundation is presenting a short season of the Royal Ballet at the David H. Koch Theater in Lincoln Center, the Royal’s first visit to New York in 11 years. After a gala opening night, the Royal showed its regal stuff in a program consisting of Frederick Ashton’s The Dream and Kenneth MacMillan’s Song of the Earth, two works which couldn’t be less alike. In fact, the only thing they had in common was excellent, stylish dancing. [more]