News Ticker

Don’t Tell Mama

Yvonne Constant: “Aznavour As Is”

January 19, 2019

“Emmenez Moi” was the stirring opening number performed by the French Ms. Constant as she majestically strode through Don’t Tell Mama’s cabaret room and onto the small stage. With her expressive enchanting singing, engaging playful presence, upswept flowing blonde hair and clad in a slinky glittering black sequined dress, Ms. Constant was a vision of star quality. [more]

Richard Holbrook: It’s Time for a Love Song: The Lyrics of Alan Jay Lerner

September 27, 2018

Holbrook’s enduring youthful presence, twinkling charm and commanding vocal authority make him the ideal vessel to channel Lerner’s monumental achievements. Through his concisely informative commentary that is perfectly interlaced with 25 songs, we learn Lerner’s biographical essence. Wit, Harvard, Broadway, Hollywood, eight marriages, triumphs, flops and death at the age of 67 in 1986 are all crisply detailed during 80 fast-paced minutes.  The presentation is a model of the tributary concert with its wide-ranging array of rarities, never before heard selections in addition to classics. The dramatic lighting and polished sound design coordinated by Rocky Noel added to the show’s depth. [more]

ON THE TOWN WITH CHIP DEFFAA… for Aug 3rd, 2018

August 4, 2018

Thanks to the Internet, word tends to get around very quickly about what is being done in theatres everywhere-even in college theatres. Cohen told me, for example, that students at Towson University mounted a production of "Rent" with an unauthorized changed ending; in their revision of "Rent," the character of "Mimi" died at the end. Cohen reflected: "Theatre is sort of self-monitoring. Fans of musical theatre are so passionate that when they see that a show has been changed, they'll quickly say that something is not right here. They may comment in online blogs or on chat boards." And thus, the unauthorized changes to "Rent" very quickly came to the attention of MTI, which licenses "Rent." Cohen added that the director of the Towson University production of "Rent" seemed to imagine she had the right to change the ending of the show-but to him that simply indicated her naivete or ignorance of the law. [more]

Bob O’Hare: Unfinished Business …a love story

April 18, 2018

The white-haired O’Hare’s appealing tenor voice with its regional cadences is expressive. His instrument is in the realm of a tuneful storyteller who mines laughs and emotions with vocal flourishes and marvelous phrasing.  His lack of mobility becomes a facet of his mature everyman persona as he conveys the aura of a wounded though happy warrior ready for another round. [more]

Richard Holbrook: “The Many Moods of Christmas”

November 28, 2017

With his commanding and emotionally expressive baritone voice, the eternally boyish Holbrook wearing formal wear, vividly performs a program drawn from show tunes, Hollywood musicals, classical music, jazz and The Great American Songbook.  The numbers are connected with his concise and engaging patter. [more]

Tym Moss: (A) Live!! Fun! Fabulous!! Flamboyant!!!

October 10, 2017

Possessed of a soaring tenor baritone voice that forcefully hits every note, an immensely likeable persona and boundless energy as he dances with brio, Moss commands the stage for 70 minutes. Periodically overcome with emotion, he gracefully collects himself and moves on. It’s a moving display of therapeutic showmanship. [more]

Richard Holbrook: “Always December”

December 20, 2016

“The Little Drummer Boy” was an emotionally shattering highlight of Richard Holbrook: "Always December." Mr. Holbrook’s performance of this perennial was revelatory due to the intensity he brought to it. This was performed in tandem with the equally moving “Some Children See Him.” [more]

Sally Darling: “Perspectives”

July 29, 2015

Sally lays out her heart and soul onto the stage and her chemistry with the talented composer and pianist, Matthew Martin Ward, is unmistakable. At the end of the show, she turned to him and said, “What would I do without you?” to which he replied, “Back at you.” He then leapt up from the piano and they embraced in a kiss which led them into their encore, “Here's to Us.” [more]

Sally Darling: “Matters of the Heart”

December 3, 2014

Sally was darling in "Matters of the Heart" at Don't Tell Mama on Manhattan's 46th Street. She sang her heart out in a moving tribute to those things that pull at the heartstrings of our lives and just in time for Thanksgiving and the start of the Christmas season when people reflect on matters they hold dear. She made the lyrics come alive with her great interpretative skills, taking her audience to places that perhaps they had not visited in a while, where major events happened in their lives, places where, whether happy or sad, they felt something. [more]

Richard Holbrook: The Untapped Fred Astaire Revisited

October 24, 2014

The debonair Holbrook sang his way down memory lane with his enchanting voice and interesting stories about Astaire that he shared in-between songs, many showing a side to the man that is relatively unknown. This is one of the aspects of the show that makes it intriguing and a must-see for those who appreciate the talents of this widely respected artist.  

Most remember Fred Astaire for his singing and dancing, and for his movie roles, but there was much more to the man. [more]

Peggy Eason: “I’ll Show Them All!”

June 15, 2014

Award-winning director Lennie Watts lived up to his reputation for his part in making the night a success and acclaimed musical director Steven Ray Watkins brought the piano to life with his accompaniment to her songs. [more]