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Carolee Carmello

Hey, Look Me Over! New York City Center Encores! at 25

February 10, 2018

Writer-performer Bob Martin recycles his sweater-clad disaffected “Man in the Chair” character from his 2006 Broadway musical "The Drowsy Chaperone." The conceit is that he’s a disgruntled Encores! subscriber who has been chosen to pick his selections for inclusion. Mr. Martin addresses the audience to offer commentary, often tells inside jokes and interacts with the cast.  Depending on one’s sensibilities, this is either an inspired or an insufferable device. However, it doesn’t mar the actual production. [more]

ON THE TOWN with Chip Deffaa …. for July 5th, 2016

July 5, 2016

I’ve always liked Andrew Keenan-Bolger's work. He was a memorable child actor, playing leads on Broadway in shows like "Beauty and the Beast" and "Seussical," when he was around 13 or 14 years old.  I admired  his sunny, open-hearted work then.  And he's even more successful today (at age 31)  as an adult--not every child actor can make such a transition. He conveys the same sort of buoyant spirit on stage now as he did when I first saw him in those  shows he did so well as a youth.. (His whole family is talented.  He and his sisters, Celia Keenan-Bolger and Maggie Keenan-Bolger, are all making their contributions to the arts.) [more]

Tuck Everlasting The Musical

May 8, 2016

The problem with the new show with a libretto by first timers Claudia Shear and Tim Federle now at the Broadhurst Theatre is that it is all so bland - which is not true of the novel which had grit as well as many surprises. The new prologue pretty much gives away the secret of the Tuck family’s discovery of the fountain of youth. The score by Chris Miller and Nathan Tysen (who wrote the Off Broadway musical 'The Burnt Part Boys") is pleasant but innocuous. Director/choreographer Casey Nicholaw who currently has the more flashy "Book of Mormon," "Aladdin" and "Something Rotten!" simultaneously running on Broadway has created a low-key production, atypical of his usual style, which seems a bit lost on the big Broadway stage. This might have worked better in a smaller Off Broadway house. [more]

Broadway Unplugged 2015

July 26, 2015

An astounding array of Broadway singers triumphantly performed without any electronic assistance at Scott Siegel’s Broadway Unplugged 2015 at The Town Hall. All were terrific. Several were magical. Most pre-1960’s shows were unamplified. The act of listening was different then. Technology has changed all that. Some believe performances are more nuanced today. Others miss the excitement of hearing “real” voices. Whatever one’s opinion, Scott Siegel assembled a program that clearly showed what we’ve been missing lately. [more]

Finding Neverland

May 3, 2015

Directed by the usually innovative Diane Paulus (whose credits include the critically acclaimed "Hair," "Porgy and Bess," "Pippin"), "Finding Neverland" has been created by the numbers and its staging suggests a great many earlier musicals. The score by Gary Barlow & Eliot Kennedy, long associated with the UK band, Take That, and writing their first musical, is filled with serviceable and prosaic ballads and anthems (with many false rhymes) to pleasant melodies but none which really forward the story. With titles like “Believe” and “Neverland,” they often have an overly familiar feeling. While Finding Neverland steals shamelessly from the 1954 Jule Styne-Comden & Green musicalization of Barrie’s play"Peter Pan," it never comes close to the charm of that earlier musical. [more]