News Ticker

Ato Blankson-Wood

The Rolling Stone

July 31, 2019

It is not until the second act of British playwright Chris Urch’s "The Rolling Stone" that the play catches fire but from then on the drama is explosive, compelling and very disturbing. Once the play gets past the introductory exposition that sets up the plot, the production by Saheem Ali (Donja R. Love’s "Sugar in Our Wounds" and "Fireflies," and Christopher Chen’s "Passage") is taut, tense and involving. [more]

Antigone in Ferguson

September 21, 2018

The 2014 police shooting of Michael Brown inspired this exuberant concert-style presentation of Sophocles’ classic Greek tragedy entitled "Antigone in Ferguson." Director Bryan Doerries’ faithful adaptation lasts an hour and is performed by a rotating name cast in connection with a lively choir. Mr. Doerries’ proficient staging transforms it all into a novel, entertaining and emotionally charged experience. Tickets are free by making a reservation. [more]

Twelfth Night 2018 (Free Shakespeare in the Park & Public Works)

August 10, 2018

Shaina Taub’s joyful and sunny updated musical version of Shakespeare’s comedy, "Twelfth Night," is back in a full production courtesy of Free Shakespeare in the Park and Public Works which premiered an earlier production for four performances during Labor Day Weekend 2016. This slightly trimmed and tightened version is even more entertaining and the witty contemporary lyrics make this fun for young and old, as well as Shakespeare veterans and novices. [more]

Transfers

May 1, 2018

As Cristofer, Juan Castano is riveting in his honesty and his assurance. You could hear a pin drop during several of his monologue confessions as to why he didn’t do as well as he might have. His performance is almost frightening in its intensity. As the bookish Clarence, Ato Blankson-Wood is his diametric opposite, well-spoken, sensitive to other people, politically correct, well-mannered and able to hold his own in an intellectual conversation. He is equally intense in a quieter, more refined manner. Although both young actors have impressive New York credits, they should be better known after this. [more]

The Total Bent

June 6, 2016

Stew and Ms. Rodewald’s command of the musical genres of the 1960’s and 1970’s—gospel, Motown, soul, glam-rock, funk, R&B, blues, etc.—is astounding. The songs are organic extensions of the dialogue. In fact, this show could easily have been a straight drama or a sung-through opera. [more]

O, Earth

February 7, 2016

Nevertheless, Wills’ production is continually taking us by surprise both by his casting and his choices. His transgendered characters are played by transgendered actors. Moran’s Wilder and Angelos’ Ellen look a great deal like their counterparts, while Blankson-Wood and Heleringer as Spencer and Duncan, respectively, are a hoot as young entitled gay men who have totally bought into the capitalist system. “Mizz June” and Gentili, who are themselves transgendered icons, bring an air of authenticity to their roles as the colorful and outspoken Marsha and Sylvia. [more]