Contact High: A New Musical
Hass directed and his stilted staging is adequate. Simple entrances and exits, cast members going through the theater’s aisle and basic character interactions occur. Some performances are excessively broad diluting the narrative’s impact. Playing a major part in a show as well as directing it is problematic. Hass’ joint choreography with Dana Norris is an uninspired series of rudimentary movement, jumping up and down, moving wheelie chairs around and clunky robotic flourishes. Hallowed masterpieces of musical theater are often alchemical artistic collaborations among a creative team. Without experienced objective directorial oversight, "Contact High" is lumpy. [more]
