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Scott Davis

Marcel on the Train

March 1, 2026

Slater’s performance is a revelation of synthesis. Known for his buoyant athleticism in Broadway’s "SpongeBob SquarePants" and his chilling portrayal of the Balladeer and Lee Harvey Oswald in Classic Stage’s brilliant "Assassins," he here channels that dexterity into something at once lighter yet more harrowing. His Marceau moves with balletic precision: fingers unfurl like petals; wrists trace invisible architecture; the torso leans into unseen walls. Butterflies tremble from his cupped hands, a flower blossoms and droops along the line of his arm. Guided by movement consultant Lorenzo Pisoni, Slater achieves an embodiment so exacting it appears to suspend the laws of bone and gravity. [more]

Ride the Cyclone

December 10, 2016

Rockwell who also choreographed has turned each of the songs into an extravagant, go-for-broke production number. Best are Wardell’s “Noel’s Lament” in which he reveals he wants to be Monique Gibeau, a French street walker in black lingerie à la Marlene Dietrich’s Lola Lola, and Misha’s rap number, “This Song is Awesome” which segues into “Talia,” in which he reveals his rage and passion. Rohm’s semi-operatic aria, “The Ballad of Jane Doe,” has her flying over the audience as she continues to sing. [more]