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Ruth Howard

Janis Brenner & Dancers: Spring 2017 Season

June 9, 2017

Wearing pale, simple but elegant costumes with small colorful patches around the hips (designed by Sue Julien and Brenner) the dancers in “Soul River/Blues” entered singly at first up a diagonal, almost as if sneaking on. As the dance unfolded they rolled and paused, looking over their shoulders to a score by Ry Cooder and V.M. Bhatt which was a hybrid of Indian classical and bluesy American guitar styles. One man (Aaron Selissen) and four women (Kara Chan, Ruth Howard, Sumaya Jackson and Kristi Ann Schopfer) interacted in slow lifts and groupings that became ever more complex in their angles and internal relationships. [more]

Ellen Cornfield/Cornfield Dance: “Close-Up” (2017)

May 23, 2017

There was a mysterious coolness about “Close-Up” which, according to a program note by Ms. Cornfield, was meant to delve into the personalities of her five dancers, doing this by assigning very particular gestures—touching the face with a finger, holding a palm to the forehead, quivering hands, mimed pouring, nods—and facial expressions like appearing to laugh or shout to each dancer. She called these intimate, non-dance details, “zoom close-ups.” These quirky bits were additions to sleek, catlike movements that included lunges, low leg circling and the kind of balletic movements that were the centerpiece of Cunningham’s choreographic output. [more]