Knud Adams

Inspired by True Events

July 22, 2024

Actor Ryan Spahn’s first play "Inspired by True Events" at the new Theatre 145 (formerly the Ohio Space) is a professional, skillful production. Unfortunately, as a backstage thriller it leaves something to be desired. The first shock does not occur until two-thirds of the way through, making most of the play a simple waiting game for something to happen. What the playwright needs is to study classic stage thrillers like Emlyn Williams’ "Night Must Fall" and Frederick Knott’s "Wait Until Dark" to learn how suspense is built into this genre. [more]

Primary Trust

May 25, 2023

Eboni Booth’s "Primary Trust" at the Roundabout Theatre Company’s Laura Pels Theatre is a genial, gentle tale of a genial, gentle young man and his difficulty negotiating the speed bumps of life. What keeps "Primary Trust" afloat is the light touch of its director, Knud Adams, who never lets Booth’s play bog down. Rather than wallow in sadness, Adams permits the actors—all fine—to ride the gentle waves of their fates. [more]

I’m Revolting

October 5, 2022

There are two truisms in life in addition to the one about death and taxes: it takes all kinds of people to make a world and something will get everyone in the end. The world premiere of Gracie Gardner’s "I’m Revolting" beautifully proves both points. A sensitive and perceptive play set in the waiting room of a private New York City skin cancer clinic, the play introduces us to all walks of people and many reactions to medical reports. The ensemble cast includes several veteran actors (Laura Esterman, Glenn Fitzgerald, Peter Gerety and Patrice Johnson Chevannes) and several not so well known faces. Knud Adams’ direction is subtle and unobtrusive allowing life to pass on the Linda Gross stage of the Atlantic Theater Company. [more]

English

February 28, 2022

You may have never thought about it before but you are defined by your language. Your identity is shaped by the words you have and the words you don’t. You can say certain things in one language but not in another. Being bilingual you have one identity, two, or have a split personality. Learning a new language may be like finding a new identity as an adult after you have learned to live with the old one for a long time. These ideas are all beautifully handled in Sanaz Toossi’s lovely, poignant new play, "English," under the astute direction of Knud Adams, now being given its world premiere in a co-production between Atlantic Theater Company and Roundabout Theatre Company at the Linda Gross Theater. We grow to care about the characters as we watch them struggle with learning English as though their lives depended on it. [more]

Notes on My Mother’s Decline

October 22, 2019

Knud Adams directs this one-set show which at times has moments of humor, but overall is a slow moving and usually depressing narrative. Ari Fliakos, who plays the son, gives a reserved performance. Too often I thought of the somber tones of The Twilight Zone’s Rod Serling. Fliakos speaks directly to the audience while seldom having conversations with his mother, played convincingly by Caroline Lagerfelt. When they do interact, it’s via a call that usually describes her mundane days. [more]