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Howard Ho

Trash

March 19, 2026

James Caverly and Andew Morrill’s Trash is a provocative play about two late 20s deaf roommates who have nothing in common except sharing an apartment. However, what is most intriguing about Trash is that it told in multiple ways. As the main characters are both deaf, they use American Sign Language to communicate. As a concession to hearing audiences, some of the dialogue is projected on three walls facing the audience. Still more unusual, there is a jukebox on stage (played by Chris Ogren) which, when fed with dollar bills, translates the ASL into spoken speech. When the lead characters really want us to know what is being said they use this method. However, this is only used partially. Much of the play is told only in ASL but Caverly and Morrill are so adept (and so dramatic) at it that we often feel like we know exactly what they are saying. They also use white boards which they hold up for all to see for simple statements or questions to the audience which sometimes require answers. [more]

Ai Yah Goy Vey! – Adventures of a Dim Sun in Search of His Wanton Father

February 15, 2026

Chang is an agile performer, and his quick shifts among characters recall the early solo work of urban shapeshifters who built entire neighborhoods out of voice and posture. Yet here the gallery of types is unevenly realized. Too often, figures arrive as the sketch of a stereotype rather than the surprise of a person. When Chang draws on the stylization of Chinese opera—particularly in the rendering of Jackie’s diva-like mother—the show briefly discovers a richer theatrical language, one in which Eastern and Western performance traditions spar and flirt on equal terms. Such moments hint at a more adventurous piece than the one that predominates. [more]

My Man Kono

February 18, 2025

The world premiere of Philip W. Chung’s My Man Kono tells the fascinating but little known true [more]