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Billy Bustamante

Here Lies Love

August 2, 2023

"Here Lies Love" unreels like an MTV music video with the emotional content lost in the technique.  The real issue of this musical is that it’s impossible to feel anything for the lead characters, with the possible exception of Estrella.  They are moved about the extraordinarily gimmicky set like chess pieces with Imelda checkmating everybody.  Jacobs evinces the boldness of Imelda, the script limiting her ability to show any tenderness or vulnerability.  Llana's Ferdinand is written pretty much as a stolid symbol, hardly human at all. [more]

Lizard Boy

June 20, 2023

Scheduled to run only until July 1, "Lizard Boy" deserves a longer life as one of the most satisfying musical theater offerings to be seen currently in New York. While the message of tolerance and diversity is not heavy, the theme is dramatized so that no one can mistake its intent. The three-person cast is superb in the acting, singing and musical departments. Brandon Ivie’s staging is clever and imaginative, while the book, music and lyrics by Justin Huertas make audience goers look forward to his next project with eager anticipation. [more]

Whisper House

January 22, 2022

The songs which are mainly sung by Alex Boniello (usually with a guitar) and Molly Hager as the ghostly narrators are folk ballads which though lovely sound like a continuation of the same song. While the theme of racism against Asians is extremely timely, the treatment is wedded to the 1940’s and seems to be many years late. There is a great deal we do not learn about the characters which leaves holes in the plot. The tale is very derivative of earlier stories with the same tropes: haunted lighthouse (Thunder Rock), boy goes to live with strange relatives (The Grass Harp), malevolent ghosts, one male, one female (The Turn of the Screw), etc. [more]