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WP Theater

Wickedest Woman

January 24, 2019

Six actors, three men and three women, in a company of seven, play many roles in this fluid production designed by Anna Driftmier that uses several different doorways,  on-stage props and furniture that is rolled out swiftly to tell Ann’s story from age 16 in 1828 to her untimely death at 66 in 1878. Jessica O’Hara-Baker is a towering Ann Lohman, aka Madame Restell, level-headed, goal-directed yet humorless as she sees a need and methodically goes about taking care of it, caring little for the mores of times or proscribed women’s roles. Narrated by Ann and including newspaper headlines read by the other cast members as well as period songs of 19th century ballads sung and played by the company, "Wickedest Woman" begins with her 1848 trial which is interrupted repeatedly in order to tell the story in chronological order. [more]

Natural Shocks

November 14, 2018

Played by Pascale Armand, known for her Tony nominated Best Performance by an Actress in a Featured Role in "Eclipsed," Angela is the heroine of Lauren Gunderson’s new one-woman play, "Natural Shocks," being given its world premiere by the Women’s Project at the WP Theater. The play has previously been given over 100 staged readings in 45 states over a period of two months. As much as one wants to admire this tour de force for an accomplished actress, in its current form the play has several problems. [more]

[Porto]

February 16, 2018

Stop me if you’ve heard this one before: three people walk into a bar where they are known by the drinks they order. Only in Kate Benson’s new play "[Porto]," the unnamed bar is in a gentrified neighborhood in Brooklyn, and is defined as a “boushy bar,” a portmanteau word made up of "bourgeois" and "douchey." We know that because it serves “serious food, serious beer, serious wine, serious spirits.” And what of the story the play tells? Like an episode of "Seinfeld," 'Friends" or "Girls," it will probably please Millennials most, those who are living the life of spending evenings in trendy bars to find companionship. The second play this year following "Miles for Mary" to transfer from Brooklyn’s Bushwick Starr to Manhattan, [Porto] is now at the WP Theater for an Off Broadway run. [more]

What We’re Up Against

November 9, 2017

With "What We’re Up Against," Theresa Rebeck looks back a quarter century to a time when gender inequality in the workplace was a real problem. Oh, wait…yep, unfortunately, if Rebeck’s script didn’t tell us the year was 1992, it would be pretty easy to believe she was writing about the present, especially given the recent avalanche of news concerning sexual harassment and assault in the entertainment industry. The story Rebeck tells never sinks to this horrific level, though it’s possible to imagine that it could have, if she had wanted to follow the male anger she portrays to a place it often leads. [more]

Dear Elizabeth

December 1, 2015

The great mid-20th century American poets Elizabeth Bishop and Robert Lowell were friends from 1947 until his sudden death 30 years later. As they were usually in different cities and countries (Bishop lived in Brazil for many years while Lowell lived in New York City and Boston), they wrote each other over 450 letters which were published in 2008 as "Words in Air: The Complete Correspondence between Elizabeth Bishop and Robert Lowell." Sarah Ruhl, an adventurous playwright whose plays tend to be very different from each other, has adapted the letters for the stage in a homage to writing and friendship called Dear Elizabeth in which all of the words are that of the poets. Kate Whorskey’s fascinating production for WP Theater (formerly The Women’s Project) has staged the play much in the manner of last year’s revival of A.R. Gurney’s "Love Letters" and also with revolving casts. [more]