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William Forsythe

Maria Kochetkova: Catch Her If You Can

July 18, 2019

Russian-born Maria Kochetkova, the petite ballerina who spent the major portion of her career with the San Francisco Ballet, has turned herself into a small-scale Diaghilev.  Her Maria Kochetkova: Catch Her If You Can at The Joyce Theater is a gathering of five brilliant dancers (including herself) dancing the works of seven contemporary choreographers.Even with her name on the program, Catch Her If You Can was pleasantly un-self-aggrandizing, feeling more like a—very expensive—jam session.So ego-free was the evening that Ms. Kochetkova clearly felt no reluctance to pair herself with Drew Jacoby in Jacoby’s duet “Rachel, Nevada” choreographed to an eerie score by Sam Spiegel. [more]

Sylvie Guillem: Life in Progress

November 18, 2015

On a portal shaped screen, films of Ms. Guillem (by the very clever Elias Benxon) are soon substituted by Ms. Guillem in the flesh. She disappeared behind this doorway, only to reappear in the video. When she got away from the screen, rolling and tilting, raising her great legs with soft expressiveness, the projected images changed to a group of people and a dog. She slowly danced her way back to the doorway, joining the filmed community and wandering off into a bare, white space. What a transcendent way to say good-bye. For once, all the technical, choreographic and story elements gelled into a lovely whole. [more]

Polish National Ballet 2015

June 20, 2015

Judging from this program only, the PNB is firmly in the mainstream of the world’s modern ballet troupes, almost indistinguishable one from the other (viz. Netherlands Dance Theater, Sydney Dance Theater, National Ballet of Spain, Houston Ballet, etc.) Mr. Pastor’s ballets are part and parcel of the international ballet style which I like to call “fun house ballet,” in which classical ballet steps and poses melt into twisty, angular shapes only to coalesce into and be punctuated by recognizable classical vocabulary. William Forsythe, a real iconoclast, began this in his purposely ugly “in the middle somewhat elevated.” The watered-down copies permeate the repertories of many dance companies. [more]