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Vince Giordano

On the Town with Chip Deffaa: “Hoagy Carmichael’s Stardust Road”… Carmichael deserves better

December 5, 2022

Boy! This is going to be a tough review to write.  The York Theatre Company, which has such a strong track record when it comes to honoring important songwriters, is currently presenting a revue of Hoagy Carmichael songs called "Hoagy Carmichael’s Stardust Road."  Carmichael (1899-1981) is one of the greatest of American songwriters.  No one’s done an overview of Carmichael’s work in many, many years.  So, this production is important.   The show should be a natural.  But developing a show isn’t always easy. This will likely be the longest review I’ve ever written about a single show; but the show merits a detailed discussion.  The production I just saw has significant flaws, as well as significant strengths.  I hope the show can be further developed so it can fulfill its potential. [more]

On the Town with Chip Deffaa: As Nightclubs Begin Coming Back

July 20, 2021

Gianni Valenti, who runs one of the city’s best-known and most important nightspots, Birdland Jazz Club on 44th Street, deserves a lot of credit for leading the way.  He was one of the first club owners to announce plans to reopen.  He’s reopened strong, booking lots of respected artists, like Delfeayo Marsalis, Allan Harris, Ken Peplowski, etc. (For Birdland's full schedule, go to www.birdlandjazz.com.)  And he’s keeping prices as low as possible to make sure the place is packed.   For many shows at Birdland this summer, you can buy tickets online and pay only a nominal cover charge—some nights just 99 cents (plus a service charge).  That’s the same cover charge the club had when it first opened way back in 1949. [more]

92Y’s Lyrics & Lyricists Series: “Get Happy: Harold Arlen’s Early Years”

February 4, 2017

The show began with Arlen’s first hit, “Get Happy,” 1930, and ended with his 1939 score for the MGM film, "The Wizard of Oz." The first half of the evening was devoted to Arlen’s stand-alone popular tunes, his songs written for the Cotton Club Revues (1932-1934), and musical numbers for early sound movies. Blackhurst recounted how Arlen (born Hyman Arluck of Buffalo, New York), was a child prodigy singing in his father’s choir when he was seven, forming his own bands in his late teens, and occasionally appearing as a vocalist with them on records in his twenties. [more]