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Victoria Leacock Hoffman

On the Town with Chip Deffaa: “Rent” at the Frank Sinatra School of the Arts: An Appreciation

April 7, 2022

This production was an ensemble success—which is what Jonathan Larson was hoping to achieve—so I’d like to mention every member of the company.   Not just the leads, whom I very much enjoyed  (Logan Spaleta,  Brendan Dugan,  Lily Resto-Solano as an appealingly amiable “Mimi Marquez,” Justin Nicot as the insouciant “Angel Dumont Schunard,” Monica Malas making the most of  the role of “Maureen Johnson,” Tsehai Marson as her frustrated girlfriend “Joanne Jefferson,”  Luke Studley Roberts as “Tom Collins” (who falls for “Angel”), and Matthew Macneal as landlord “Benjamin Coffin III”), but every member of the ensemble: Olivia Summer, Nicholas Martell, Miekayla Pierre, Ben Gluck, Sophia Longmuir, Gabriel Paredes, Isaac Wilson, Isabella Soleil Smith, Daniel Stowe, Jaiden Torres, Monica Malas, Ellistair Perry, Zune Misrra-Stone. [more]

Irving Berlin and Me (And a Brush with Death Along the Way)

April 5, 2022

In the past 20 years, I’ve produced a total of 34 different albums; 16 of them have dealt with Irving Berlin (1888-1989). The newest album in this ongoing Berlin series, "Chip Deffaa’s Irving Berlin: Love Songs and Such"--featuring such gifted artists as Betty Buckley, Karen Mason, Steve Ross, Anita Gillette, Jon Peterson, Natalie Douglas, Jeff Harnar, Sarah Rice, Bobby Belfry, Keith Anderson, Molly Ryan, and Seth Sikes--was the hardest of all the albums to produce. And, for reasons I’ll address in a bit, it took by far the longest time to produce; life is not always easy. But for me, this is the most satisfying album of the bunch. (And as I type these words, I’m happy to note it’s just been nominated for a MAC Award, which is extra gratifying!) I know I’ve made a worthwhile contribution to Berlin’s recorded legacy. [more]

ON THE TOWN… with Chip Deffaa …. October 28nd, 2018

October 28, 2018

The generous spirit of Jonathan Larson (1960-1996) certainly was felt in New York's great supper club, Feinstein's/54 Below, the night I went to see The Jonathan Larson Project (which filled the club for a dozen performances in six nights, with different guest-stars each night). It did my soul good to be there. [more]

City Center Encores production of Jonathan Larson’s “tick, tick..BOOM!”

July 17, 2014

The audience packing City Center--whether applauding or laughing or cheering--certainly showed its enthusiasm throughout. The opening scene of "tick, tick...BOOM!" is very powerfully and economically written. I admire Larson's writing. Hearing those ticks (representing the relentless passing of time), and anticipating the coming boom (of an impending disaster that is somehow sensed without being fully understood) ... well, that came from a deep place. [more]