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Uncle Vanya

Life Sucks

March 29, 2019

“Did you know that this play is called "Life Sucks"?” says a character in playwright Aaron Posner’s meta-theatrical Life Sucks. It’s a wild yet emotionally resonant work “sort of adapted from Uncle Vanya by Anton Chekhov.” Characters address the audience directly, they engage in sly wordplay, lollipops are consumed, overlapping dialogue is common and absurdism abounds in this free-form yet faithful treatment. [more]

Uncle Romeo Vanya Juliet

September 30, 2018

Previous experiments from this adventurous theater group helmed by artistic director Eric Tucker include two versions of Twelfth Night performed in repertory, Hamlet and Saint Joan performed with casts of only four actors, and an updated Pygmalion which was double cast in its smaller roles. In "Uncle Romeo Vanya Juliet," Tucker has tried something new: a mashup of both Anton Chekhov’s "Uncle Vanya" and Williams Shakespeare’s "Romeo and Juliet," with scenes from the two alternating. The result is not confusing, but irritating and irrelevant, with neither play gaining from the combination. The advertisement for this show reads “5 actors, 2 plays, 1 performance,” but to what point? [more]

The Country House

October 14, 2014

"The Country House" is an old-fashioned drawing room comedy about theater and film people inspired by the plays of Anton Chekhov. From Donald Margulies whose track record includes "Time Stands Still," "Brooklyn Boy," "Sight Unseen," "Dinner with Friends" and "Collected Stories," we have come to expect something more emotionally satisfying. Blythe Danner, Daniel Sunjata, David Rasche and cast are good company but do not make a very convincing case for this new play [more]