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Tyne Rafaeli

Selling Kabul

December 6, 2021

Will a former Afghani U.S. Armed Forces interpreter get himself and his family out of the country before he’s captured by the Taliban in 2013? This is the crux of playwright Sylvia Khoury’s gripping, thoughtful and suspenseful drama, "Selling Kabul." In a straight through 100 minutes, Ms. Khoury crafts an accessible overview of that conflict, sets up a compelling story and employs a classic plot device. Khoury’s smooth passionate dialogue imparts exposition and biographical details while advancing action with technical accomplishment. [more]

I Was Most Alive with You

September 26, 2018

In Craig Lucas’s "I Was Most Alive with You," two down-on-their-luck television writers mine recent personal tragedy for their latest project, hoping, with the Book of Job as their inspirational guide, to set both their careers and the universe in order. Although suffering has touched each of them, Ash (Michael Gaston), a late middle-aged recovering alcoholic in a bad marriage, is the much more forlorn figure. Like Job, Ash has hit one of those rough patches in life, where, if you’re a person of faith, you might start to suspect that your higher power doesn’t like you very much. [more]

The Rape of the Sabine Women, by Grace B. Matthias

September 16, 2017

The awkwardly titled "The Rape of the Sabine Women, by Grace B. Matthias" has problems beyond its nomenclature. What, if anything, is it ultimately about? Though it claims to be a “satirical” look at the subject of rape, any satire is lost in the mixed results of the presentation. If anything, the play seems too subtle and nuanced for its own good. [more]

In a Word

July 1, 2017

Told mainly in reenacted flashbacks, In a Word plays multiple language games. It also proves the limits of language. Can you really describe exactly what happens at any given moment? And if you misunderstand a word or take it to mean something else the whole meaning changes. After two years, Guy wants to know what Fiona didn’t tell him on the day Tristan disappeared. Fiona brings evidence to the detective but fails to be exact in her suspicions. Tristan misunderstands things he is not meant to hear and proceeds on his own explanations. [more]