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Tommy Schrider

Molly Sweeney

October 24, 2019

As is Mr. Friel’s The Faith Healer, Molly Sweeney is a monologue play. Here, instead of being separated in individual acts, the three characters appear on stage together without interacting, and speak alternately. It’s certainly a viable format and Mr. Friel gives us a gorgeous cascade of memories, biographical details, differing points of view and suspense. However, as beautiful as these reveries may be, there’s too much of them and the play’s impact is diluted. Lasting two and a half hours and comprised of two acts with an intermission, the slender plot is embellished with the leisure of a literary work rather than a taut stage play.  Still, by its end, one is caught up by the characters and their fates. The arguable structural deficiencies are compensated for by the faultless presentation. [more]

The White Devil

April 5, 2019

Not seen in New York since 1965, John Webster’s Jacobean revenge play, "The White Devil," has been given a juicy, vigorous modern dress production by Red Bull Theater which specializes in Elizabethan and post-Shakespearean dramas. While not as great as Webster’s "The Duchess of Malfi" or Shakespeare’s psychological dramas, this second-rung tragedy from 1612 has been directed by Louisa Proske with live video and contemporary trappings in a style that is always riveting, always engrossing, particularly notable for a play that will be unfamiliar to most theatergoers. [more]

Unseamly

October 20, 2015

Director Sarah C. Carlsen does an excellent job of utilizing minimalism to tell the story. "Unseamly" is told in a non-linear format, and relies heavily on flashbacks. Instead of having set pieces rolling in and out to change scenes, the play is presented in a bright white room which has secret doors and set pieces that pop out of the walls to change the environment and accommodate the next flashback. The set and costumes are both designed by Brian Dudkiewicz, and there is definitely a consistent style throughout. Minimalist with flashes of bright color, the clothing is sexy and trendy, and contributes to the overall theme of the play: costumed liberally, the whole production is steeped in sexuality. [more]