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The York Theatre Company

The Decline and Fall of the Entire World As Seen Through the Eyes of Cole Porter

October 18, 2019

As part of its Fall 2019 Musicals in Mufti Cole Porter Series, The York Theatre Company has smartly revived this 1965 Ben Bagley - Cole Porter revue not seen in New York in 54 years. Pamela Hunt’s delightfully sophisticated production uses four talented performers at the height of their powers: Danny Gardner, Lauren Molina, Diane Phelan and Tony Award nominee Lee Roy Reams, with the estimable Eric Svejcar at the piano. Hunt has tweaked the show a bit eliminating five of the songs which have inappropriate lyrics for modern sensibility and handed Reams the role of speaking Bagley’s droll narration rather than dividing it up between the original five performers. Although the Muftis are performed concert style with book in hand, these performers appear to be letter perfect and hardly look at their sheet music. [more]

Fifty Million Frenchmen

October 3, 2019

Still delightful, mainly due to Porter’s score, the book by Herbert Fields (who went on to write six more Porter shows) has its charms with its snappy Jazz Age dialogue which makes fun of the ugly Americans in Paris, loaded with money but making one faux pas after another while mangling the French language. The version being used by the York Theatre production is that of the 1991 Tommy Krasker/Evans Haile adaptation for the Cole Porter Centennial first performed at the French Institute/Alliance Française which reduces the cast from 100 to a manageable eleven. It also reallocates some of the songs and includes some of the songs cut both on the road and after the opening. [more]

Enter Laughing the Musical

May 27, 2019

As David, Chris Dwan does not make one forget the inimitable Grisetti who spun every moment into a comic turn. However, Dwan is charming as the undaunted hero who must deal with problems behind his ken but always comes up with a possible solution even if it doesn’t work out. David Schramm’s alcoholic and hammy Harrison Marlowe is not quite as clipped as that of the late George S. Irving whose signature role this became but his sarcasm and slow burns are still entertaining. Though Farah Alvin’s Angela Marlowe is not as affected as her predecessor as the predatory performer, she still is delicious as an actress who falls in love with all of her co-stars. [more]

Lolita, My Love

February 26, 2019

The York Theatre Company is to be applauded for taking the risk of staging this famously controversial musical in its New York premiere. It is also fulfilling its mission to bring to the stage musicals of quality that might not be done elsewhere. As Alan Jay Lerner is one of the legendary giants of the musical theater, it is a pleasure to be able to see this lost musical in a workable version. However, despite the excellent staging by director Emily Maltby, "Lolita, My Love," the casting still seems problematic and the musical is ultimately disappointing. And while music director Deniz Cordell has performed yeoman's work reconstructing the score and playing it entirely solo at the piano, John Barry’s music is not aided by being heard in this cut-down orchestration. [more]

The Day Before Spring

February 12, 2019

The York production has been directed and adapted by Marc Acito who has condensed the original two act script into a long one-acter. Realizing that the original setting of 1948 for a tenth year college reunion with no reference to W.W. II or returning veterans does not make a lot of sense, he has moved the romantic comedy plot up to 1959 with some new appropriate references to the fifties (Davy Crockett caps, McCarthyism). Although the story seems to flow well enough the new problem is that with the deletion of some of the plot and dialogue, the characters seem to have been reduced to one-dimensional stereotypes which gives the actors a great deal more to do in order to make them real. [more]

Carmelina

January 31, 2019

Though not in the same class with Alan Jay Lerner’s masterpiece, "My Fair Lady," "Carmelina" has a similar theme: how a young woman reinvents herself. While the three soldiers are under the impression that they invented Carmelina Campbell in the classic Pygmalion and Galatea fashion, in fact Carmelina has reinvented herself, also a major theme in the Lerner canon, along with "Coco" and "Dance a Little Closer." This charming musical comedy also features a Tony Award nominated score which deserves a second and a third hearing. [more]

Christmas in Hell

December 19, 2018

The holiday season is in for an irreverent satirizing in Gary Apple’s musical comedy "Christmas in Hell," a rude and entertaining fable for adults. With book, music and lyrics by Apple, a writer/producer for television, the show now being produced by The York Theatre Company is a diverting antidote to all the mindlessly clichéd holiday cheer that is everywhere. With some clever lyrics, hummable tunes and a colorful cast of characters, "Christmas in Hell" is a delightful little musical parody which is a change of pace for the season before us. It does require a good deal of suspension of belief of both kinds. [more]

Midnight at The Never Get

October 12, 2018

Mark Sonnenblick’s exceptional book is an accomplished mixture of prodigious research, well-drawn characters and adept if misguided construction. It skillfully dramatizes the gay experience of living in New York City in the 1960’s with all its glory and despair. The Checkerboard, Julius, The Village Vanguard, The Blue Angel, The Bon Soir and Cafe Wha? are among the legendary venues mentioned. The Stonewall Riots, organized crime’s control of gay bars and routine arrests of gay men are cited. [more]

Lonesome Blues

June 20, 2018

The show then become energized when Babatundé describes how Jefferson was discovered by a music executive when he was singing on the Texas streets while holding a tin cup. A recording contract follows and Jefferson became a leading blues performer in the 1920’s. Another bright sequence is a recreation of a concert. In the second half, we learn more about Johnson and the narration is more connected to the musical portions as it successfully concludes. [more]

Unexpected Joy

May 10, 2018

With a Judy Collins-style mane of blonde hair and wearing jeans and suede, the sleek Luba Mason as Joy certainly looks the part. That mien is reinforced by Ms. Mason’s smoothly conversational vocal inflections and marvelous singing. Mason is totally convincing as the weed-smoking matriarch who follows her heart. [more]

Subways Are for Sleeping

March 1, 2018

"Subways Are for Sleeping" is a valentine to New York and projection designer Lacey Erb has created atmospheric slides and streaming video of such iconic locations as Grand Central Station, Park Avenue, Rockefeller Center and the Metropolitan Museum of Art. Unfortunately, the original problem with the material has not been solved: Tom and Angie are just not very interesting. They have little or no back story and no outstanding characteristics. As was famously true in the original production, the show is stolen by the secondary leads. With their continually inventive schemes to get through each day, slacker Charlie who lives off his former friends and would-be nightclub performer Martha with her Southern accent are a total delight. Unfortunately, they are off stage most of the time. The rest of the many characters are simply walk-ons. [more]

Bar Mitzvah Boy

February 15, 2018

"Bar Mitzvah Boy" may not be a top-drawer Jule Styne musical, but Jack Rosenthal’s original story and David Thompson’s new book are excellently observed to have the ring of truth. The family chaos in planning the affair and problems precipitated by the young son’s behavior are sharply and shrewdly detailed enough to be absorbing in a way that all can relate to. Annette Jolles’ production for The York Theatre Company gets a great deal out of the material even in a version without the trappings of a full production. It is also a pleasant surprise to see an unfamiliar musical by major talents which fills in a gap in their careers. [more]

Hallelujah, Baby!

January 31, 2018

While the new cut-down version (performed concert style with book in hand) with nine actors instead of the original 36, now covers 100 years, rather than the sixty in the original show, it still remains a shorthand version of the history of the movement as well as the trials and tribulations of African American performers in show business. Originally written with Lena Horne in mind, when she turned it down the starring role of Georgina Franklin went to newcomer Leslie Uggams and was subsequently revised to accommodate her softer, girl-next-door persona. Although her perky, animated performance won her the Tony Award for Best Actress in a Musical, Laurents was never happy with the compromises made to the show. The more tightly written show which now focuses on four main characters still doesn’t solve all the problems inherent in the material, as directed by Gerry McIntyre it does make for fast-paced musical entertainment with a great many unfamiliar songs. [more]

Jerry’s Girls

August 8, 2017

The revival at the York is being seen in yet a new version of the show that began as a cabaret in 1981 and went to Broadway in 1985. Created by director Larry Alford, choreographer Wayne Alford and composer Herman, the original show included new songs written especially for the show, only one of which remains in the revival. However, as directed by Pamela Hunt ("The Musical of Musicals"), this version of "Jerry’s Girls" organizes the songs more faithfully by around each show and includes the greatest hits from "Hello, Dolly!," "Mack and Mabel," "Milk and Honey," "Mame," two numbers from "Dear World," and ending with a medley from "La Cage aux Folles." Along the way are also two unfamiliar numbers from Herman’s 1960’s revue "Parade." [more]

Marry Harry

May 8, 2017

The two leads David Spadora and Morgan Cowling are charming but that isn’t really enough to carry the show. The script isn’t too kind to their parents. As Big Harry, Lenny Wolpe is overbearing and possessive and as Sherri’s mom Francine, Robin Skye is controlling and possessive. Both are quite convincing and unpleasant – just as the script wants them to be. As the Village Voices, Chavez, Manocherian and Saunders demonstrate tremendous versatility playing all sorts of roles and are excellent singers. [more]

Dear World

March 1, 2017

Having played such indomitable women as Mama Rose and Maria Callas, Daly slips into the role of the Madwoman of Chaillot which fits her like a glove with her crisp, authoritative delivery. As a woman who refuses to see reality for what it is, she gives a powerful rendition of “I Don’t Want to Know,” the show’s only hit song. She does a lovely job with the new number, “A Sensible Woman,” as well as the haunting ballad, “And I Was Beautiful.” [more]

Milk and Honey

January 30, 2017

While the jokes may be hoary, Unger’s production has cut down on the show’s sentimentality and given it a sharp edge which elevates the material. As the heroine Ruth, Runofsson is genuine, contemplative and sympathetic, while Delavan’s Phil is the strong silent type. They have the bulk of the songs and give lovely renditions of “There’s No Reason in the World,” “That Was Yesterday,” “Let’s Not Waste a Moment,” “As Simple As That.” Korey as the gossipy yente Clara Weiss who is free with her advice steals every scene she is in and gets to sing the clever ode to her late husband, “Hymn to Hymie” as well as lead the hilariously staged number, “Chin Up, Ladies” which includes witty audience participation. [more]

Mark Felt, Superstar

January 10, 2017

Mr. Rosenblum’s dense book is a rudimentary and repetitive serio-comic treatment imparting the minutia of that cause célèbre. In 1972, burglars connected to Republican President Richard Nixon’s re-election campaign broke into the Democratic National Committee’s headquarters in the Watergate building complex in Washington, D.C. This resulted into a calamitous scandal and inept cover-up causing a national crisis. Rosenblum’s treatment doesn’t totally succeed at tying together all of its complicated threads. [more]

A Taste of Things to Come

November 25, 2016

During the first half of the 20th century, the perception of women and their place in society was archaic and harmful to say the least. In fact, it wasn’t until the late 1950’s that the widely accepted oversimplification of the role of women was truly called into question and brought under scrutiny. Documenting the influential and crucial decade between the ‘50’s and ‘60’s, Debra Barsha and Hollye Levin’s new musical "A Taste of Things to Come" is a very pointed yet enjoyable exploration of these transformative years for the housewife, told through the eyes of four women who have a common interest in cooking. [more]

Plaid Tidings

December 17, 2015

The tale of their demise in 1964 en route to a show in their native Pennsylvania and their temporary 2015 resurrection still works brilliantly. Even though "Tidings" cover a good deal of the "Forever Plaid" musical territory, the holiday songs they’ve added give this show seasonal warmth. [more]

Rothschild & Sons

October 31, 2015

The surviving original creators, book writer Sherman Yellen and lyricist Sheldon Harnick, have written a new streamlined version of the show now called Rothschild & Sons which is being given its world premiere by the York Theatre Company. With a cast of eleven (most playing multiple roles) led by Cuccioli now playing patriarch Meyer and an orchestra of three, the show is a powerful study of anti-Semitism in Europe at the end of the 18th century and the beginning of the 19th century and the desire of the Rothschild family to break down both the walls of poverty and those of prejudice. While the new adaptation performed in one act is both engrossing and admirable, it may not be the definitive final version as it is devoid of humor, a necessary ingredient to make a musical popular. [more]