An Appreciation of Michael Feingold (1945-2022)
He saw seemingly everything, and championed plays and productions he found meaningful, even if they were at the smallest of theaters. He chose what he wished to cover, and would sometimes expound at great length about a drama Off-Broadway or Off-Off-Broadway that he felt was worthwhile and might otherwise be neglected, and then dispatch in the shortest, most terse review imaginable a big, glossy commercial Broadway musical that he was sure would find an audience but—in his eyes—was devoid of much artistic value. [more]
