The Phantom of The Opera Archives

The Phantom of The Opera

On the Town with Chip Deffaa: At the Museum of Broadway

December 13, 2022

Everyone who loves theater owes a debt of gratitude to Julie Boardman and Diane Nicoletti. About five years ago, they got the idea of creating a museum in the theater district, dedicated to Broadway. They would raise the funds themselves, hoping to create a self-sustaining operation. The museum they have co-founded has now opened. And it’s a winner! Oh, I’m not saying it’s perfect. Nothing in this world is quite perfect. And like all new ventures, the museum is experiencing some growing pains. (Later in this piece, I’ll suggest some ways that the museum could be made even better.) But what they’ve achieved thus far is mighty impressive. There are a few kinks to be ironed out, but this is a major addition to the theater district. [more]

Book review: “Sense of Occasion” by Harold Prince

November 16, 2017

The first 26 chapters are the original text of "Contradictions" with each followed by “”Reflections,” where Prince variously corrects, expands upon and ruminates about that portion. After concluding with the tribulations of the 1974 revival of "Candide," the next 19 chapters are new additions that detail all that came after. There’s also a comprehensive appendix of facts about all of his shows and an index. [more]

Broadway by the Year: The Broadway Musicals of 1965 – 1989

May 26, 2014

"For many of us this was our golden age," said creator, writer and host Scott Siegel in his introduction that for many present devotees of the art form that this evening's presentation was very meaningful as this was the era in which they came of age seeing many of these shows in their original productions and they are quite appreciative of them. [more]

Souvenir

November 28, 2005

Using Foster Jenkins' legacy as a jumping off point, the piece, subtitled a Fantasia on the Life of Florence Foster Jenkins tells this brave character's story through the eyes of Cosme McMoon (Donald Corren), a frustrated composer who spent many years as her competent, long-suffering accompanist. Souvenir could also be subtitled, "A memory play." This two-character study opens in 1964, with McMoon performing in a Greenwich Village piano bar, on the anniversary of Jenkins' death 20 years before. Unable to concentrate on the keyboard, McMoon chats with his audience, digressing into memories of his collaboration with the infamous, improbable soprano. [more]