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Spring Awakening

Spring Awakening

October 9, 2015

Aside from its notable staging, this production is also receiving a great deal off attention for facilitating the Broadway debut of Marlee Matlin, the only deaf Academy Award-winner to date. While her role as several of the town’s adult women is not a particularly weighty one, she imbues them with her characteristic fervor. Sandra Mae Frank and Katie Boeck work well together to share the character Wendla; Boeck’s voice fluidly pairs with Frank’s signing to separate the inner turmoil and outer façade of a character whose mother refuses to listen. Likewise notable is the always-wonderful Broadway and television veteran Krysta Rodriguez, whose portrayal (both sung and signed) of Ilse, a homeless bohemian clinging to her sanity, is uniquely dark and dangerous. [more]

Lyrics & Lyricists Series: “Getting to Know You: Rodgers and Hammerstein”

March 29, 2014

Every song was well chosen to demonstrate the versatility and range of R & H and the singers all met the challenge. Rebecca sang the often neglected "The Gentleman is a Dope" (Allegro) and turned it into a showstopper. The show closed with "Edelweiss" (Sound of Music) that Ted said people think is an old Austrian folk song but was written by these legendary collaborators. It was the perfect ending for a wonderful tribute to a never to be duplicated writing team whose shows and music will live forever. [more]

BROADWAY’S 2006 Fall/Winter Season

January 27, 2007

The White Way barely had time to recover from last season’s exciting Tony race when Martin Short roused the sleeping giant with his manic ode to himself, Fame Becomes Me. [more]

Spring Awakening

December 28, 2006

Although its language is no rougher than what you'll hear in Rent or Avenue Q, Spring Awakening may be a tougher journey, especially for young teens. This sometimes downbeat adaptation of a controversial work incorporates a number of uncomfortable topics, including incest, masturbation, teen suicide and abortion. Warnings aside, let's hope that older teens (who already make up much of the audience), along with Generations X and Y will embrace Spring Awakening the way they did Rent ten years ago. [more]