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Simon Godwin

Timon of Athens (Theatre for a New Audience)

January 23, 2020

On paper the concept should not work: scenes and characters have been cut, a Shakespeare sonnet has been added set to music, as well as a Greek song, and four characters originally written for men are played by women. Nevertheless, the streamlining of this modern dress production in the edition prepared by Emily Burns and Godwin makes this tragedy very accessible and eliminating subplots makes the play quite linear. The addition of women gives the play an almost contemporary feeling. The scenic and costume design by Soutra Gilmour for the first half of the play is simply dazzling, while the second half has its own visual display. [more]

Measure for Measure (Theatre for a New Audience)

July 2, 2017

He has updated the play to a contemporary city rife with decadence and corruption. The audience enters the theater from backstage in order to visit Mistress Overdone’s brothel with sex toys and rooms for peep shows on display. Twelve members of the audience sit on either side of the thrust stage, a jury for morality one would suspect. The second act begins in a night club called "The Moated Grange” where Mariana is now a singer with the on-stage band. Six audience members are invited up to sit at the café tables that now dot the stage. [more]

The Cherry Orchard

October 25, 2016

Directed by high profile new British director Simon Godwin, associate director of the U.K.’s National Theatre, making his New York debut, this "Cherry Orchard" seems to have no interpretation or explanation for a new staging. Stephen Karam, the author of last season’s acclaimed "The Humans," has written a new version which seems to be heavy on American ideas in this Russian play, while both the sets and costume designs get in the way of coherence and understanding. All in all this is a great disappointment considering the talent involved. [more]