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Sergei Rachmaninoff

Aleko & Pagliacci (New York City Opera)

September 12, 2016

While the New York City Opera’s staging of "Aleko" could not be called a major rediscovery, it was an admirable attempt to offer a non-standard repertory work that had probably not been seen by any of its New York audience. The real surprise was the thrilling and commanding performance of "Pagliacci" which bodes well for NYCO’s future life and health at Lincoln Center. In addition, the New York City Opera Chorus, under the direction of William Hobbs, gave persuasive performances in both operas, another feather in the City Opera’s cap. [more]

Voices of Ascension: Fauré Requiem and Music from the Russian Orthodox Tradition

February 20, 2015

The second half of the concert consisted of Fauré's Requiem. This familiar, deeply loved work – an examination of requiem themes that is more about interior considerations of mortality than about cosmic confrontations with hell or pleas for salvation – depends for its success on clear, clean musicianship. The shimmery delicacy and complex harmonic richness of Fauré's music were brilliantly served on this evening by the Voices of Ascension … as they always have been: the Fauré Requiem has been a signature piece of this chorus since its creation twenty-five years ago. In this performance, soprano Sarah Shafer and bass-baritone Evan Hughes both brought a deeply personal sense of prayer to their singing. Shafer's “Pie Jesu” was intimate without being sentimental, and ethereally beautiful. Hughes sang with unrestrained and eloquent passion. [more]