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Scott Brown

Gutenberg! The Musical!

October 25, 2023

How much you enjoy 'Gutenberg! The Musical!" likely depends on a combination of factors entirely unrelated to that German fellow: familiarity with the tropes it's skewering; your own level of disdain for such hackney execution; and your tolerance for Rannells and Gad's incessant mugging. In their first Broadway pairing since "The Book of Mormon" over a decade ago, Rannells and Gad are less a comic team than a comic rivalry, with neither willing to be the Abbott to the other's Costello. Fortunately, their ping-ponging, look-at-me dynamic only occasionally grows tiresome, usually when either of them is trying to gin up laughs that aren't there or shouldn't rise above a tee-hee. [more]

Beetlejuice

May 22, 2019

Not all cult movies need to be made into musicals, particularly those that are dependent on special effects which the cinema does better than the stage. This is demonstrated by the new Broadway musical based on "Beetlejuice," the Tim Burton horror-comedy-fantasy. This theme park-type show is visually a spectacle with a set that does all sort of tricks and changes, but as the adage goes, you can’t go home singing the scenery. And the score by Australian composer/performer Eddie Perfect (whose only other American score has been "King Kong the Musical") is eminently forgettable. In the title role, Alex Brightman, who was charismatic in a similar role in "The School of Rock," is so over-the top that he becomes tiresome very quickly. To paraphrase Mae West, too much of a good thing is not wonderful. [more]