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Sarah Street

The Plough and the Stars

May 7, 2019

The Irish Repertory Theatre ends its thirtieth season by going back to the beginning, with a sturdy revival of Sean O'Casey's "The Plough and the Stars." An historical prequel to the other two plays in O'Casey's Dublin Trilogy, it was also the Irish Rep's inaugural production, a daring choice that essentially served as an artistic mission statement, signalling a commitment not to shy away from Ireland's ever-contested past. [more]

Juno and the Paycock

April 12, 2019

From this group of familiar faces, O'Reilly and Keating are particularly strong in their second go-around, finding notes in Jack and Joxer's codependent relationship that are both hilarious and hideous. With his almost sneering delivery of Joxer's obsequious and vowel-rich responses ("it's a darlin' funeral, a daarlin' funeral"), Keating's performance is especially brilliant, pitched just before the point when servility turns into hate. As for Jack, O'Reilly brushes aside his litany of faults to make him a first-rate charmer, capable of snatching a smile from Juno even after he's brought the overburdened woman to her wit's end. [more]

Alone It Stands

January 17, 2019

Breen's script, a succession of rapid-fire vignettes divided in half by an unnecessary intermission, tries to compensate for its lack of depth with imagined multitudes. According to a promotional flyer, the production's six actors portray a total of sixty-two characters. While I feel confident enough in my counting abilities to verify the former, I'll leave the latter to someone whose obsessiveness exceeds my own. That person might also have to be a little generous in regards to defining what constitutes a character. [more]

The Naturalists

September 12, 2018

Ms. McCarrick’s appealing premise of redemptive romance is in fact subsidiary to the IRA angle as in the program she states that this event is the inspiration for her play. The two threads haven’t been skillfully fused together, resulting in a disjointed experience totaling 13 scenes.  McCarrick packs in a great deal of backstory to her well-drawn characters and her effective dialogue is marvelously Irish in style with plenty of wit, eloquence and reflectiveness. [more]

Rebel in the Soul

April 23, 2017

If this all sounds a bit over-intellectual, well, so is the play. Though the intelligent script may be based on real people, they are forever describing themselves--and each other--in ways that real people never do. Think about practically any play by George Bernard Shaw, and you begin to get the picture. (Archbishop McQuaid even says, “I do find political theory most compelling.”) And although Moore, as director, has done much to compensate for the tiny stage space on which the expansive story unfolds--particularly with helpful projections by Chris Kateff and a cramped but effective set by John McDermott--she isn’t abetted very much by her actors. [more]