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Santino Fontana

Tootsie

May 7, 2019

Michael Dorsey/Dorothy Michaels still has most of his/her friends and professional acquaintances from the movie version with some new twists:  Jeff Slater, his playwright roommate (a wonderfully sardonic Andy Grotelueschen) having difficulty setting words to paper; former girlfriend, hyper-paranoid unemployed actress Sandy Lester (Sarah Stiles, doing mega-ditzy with all pistons firing); leading lady Julie Nichols (Lilli Cooper, lovely, good voice, but not as romantically vivid as she should be); clueless show director Ron Carlisle who’s not quite as sexist as in the film; and, finally, lascivious actor Max Van Horn (John Behlmann, who nearly steals the show with his brilliantly acrobatic machinations), now a dull-witted, malaprop-spouter who falls hard for the older Dorothy. [more]

92Y’s Lyrics & Lyricists Series: “We’ll Have Manhattan: Rodgers & Hart in New York”

February 1, 2019

"We’ll Have Manhattan: Rodgers & Hart in New York," created and narrated by the soon-to-become Broadway’s Tootsie (in the new Broadway musical), Santino Fontana found most of its emotional heft in the sad story of the partnership of the efficient Richard Rodgers and the foot-dragging Lorenz Hart who found himself, a not handsome gay man, in the wrong time and place.  Hart had little personal happiness, it seems, but his songs were certainly full of gaiety and wit. [more]

Kurt Vonnegut’s God Bless You, Mr. Rosewater

July 30, 2016

The charming and charismatic Broadway leading man Santino Fontana performs the role of Elliot Rosewater with as much commitment as if he were playing J. Pierrepont Finch. Mr. Fontana’s performance is the magnetic anchor of the show. Kilgore Trout is a loony science fiction author of 117 novels and over 2000 short stories and is a recurring character in Vonnegut’s novels. Here he appears briefly near the end of the show wearing a hunting cap and rising from a wheelchair. That he is played by the legendary 85-year-old James Earl Jones with his thundering voice, joyous presence and sly comic timing is wonderfully jolting. Mr. Jones also is the narrator. [more]

1776

April 3, 2016

The prime instigator of the events, John Adams, was rotund and abrasive. Here he is played by the handsome Santino Fontana who was Prince Charming in the recent Broadway production of Cinderella. Though Mr. Fontana bears no physical resemblance to Adams he conveys his rage, frustration and humanity with his dynamic performance. Fontana’s soaring voice captures the emotion and humor of the score, particularly on "Is Anybody There?" [more]

Zorba!

May 9, 2015

Instrumental to its success is the thrilling direction of Walter Bobbie. Combining sensitive performances with an inspired sense of stagecraft, Mr. Bobbie creates many visually striking tableaus and images that vibrantly and emotionally realize this often funny and often painful material. These qualities are enhanced by choreographer Josh Rhodes’ wonderful and plentiful Greek dance sequences that range from euphoric to menacing. [more]

Act One

May 5, 2014

James Lapine's stage adaptation of Moss Hart's celebrated autobiography of his early years, Act One, is a bit unwieldy at under three hours in length as it does contain so many characters and incidents. However, like an absorbing mini-series you have lived with over a period of time, you will be sorry when it is over. [more]

Billy Elliot

November 25, 2008

Elton John proved once again (Lion King, Aida,) that he is great at adapting his songwriting to a dramatic script. “I find it easier writing for a story line than just individual songs” and he succeeds admirably in a wide variety of numbers from the touching “Dear Billy” a heartwrencher between Billy and his Dead mother, “Solidarity” the vociferously defiant anthem of the striking workers, the tender lilting “We’d Go Dancing” as Grandma and the men recreate the lovely waltz of old happier time, “Express Yourself” and” Born to Boogie”, exuberant razz ma tazz Broadway dance numbers. [more]