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Saheem Ali

The Rolling Stone

July 31, 2019

It is not until the second act of British playwright Chris Urch’s "The Rolling Stone" that the play catches fire but from then on the drama is explosive, compelling and very disturbing. Once the play gets past the introductory exposition that sets up the plot, the production by Saheem Ali (Donja R. Love’s "Sugar in Our Wounds" and "Fireflies," and Christopher Chen’s "Passage") is taut, tense and involving. [more]

Passage

May 18, 2019

Christopher Chen’s exquisite and mystical "Passage" being produced by the Soho Rep is inspired by E.M. Forster’s "A Passage to India," borrowing its plot and character relationships. But while Forster’s novel was simply about the British colonization of India, Chen has something bigger in mind. Chen calls the two locales Country X and Country Y so that the audience can fill in whatever two countries they wish in whatever time. Director Saheem Ali’s superb multicultural cast offers the maximum in diversity. And in this age of nations all over the world cracking down on immigrants and immigration, the play is an investigation into our complicated feelings about The Other. [more]

Fireflies

October 28, 2018

Although Donja R. Love describes his new play "Fireflies," his second world premiere in New York in 2018, as a “surrealistic voyage through Queer love during pivotal moments in Black History,” this riveting play is about a great deal more than that: racism, faith, homophobia, domestic abuse, women’s roles, alcohol addiction, infidelity, women’s right to choose, and sexuality. As sharply directed by Saheem Ali, the problem is that until the very end it is difficult to know where the play is going and what its real message is. [more]

Inner Voices

October 17, 2016

Paulette Haupt, producing artistic director of Premieres, should be very proud of herself. Her "Inner Voices" program at the TBG Theatre managed to shock, move and entertain. The three short one-act musical monologues, each with a distinctive voice and each performed by an expert singer/actor were sweetly bizarre ("Just One 'Q' "), shattering ("The Pen") and heartwarming ("The Booty Call"). [more]