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Richard Carrick

Composer Portraits Series: Klas Torstensson

May 6, 2017

"Elliott loves bebop" is a much more satisfying piece than either "Sonerna" or "No slash" on their own. It would be no matter what. But the experience of having listened to the two quartets one after the other immediately before the octet immeasurably enriched the experience of hearing the octet: the octet’s complexities were more intelligible and the patterns of their interconnections were more clear. Without compromising or simplifying the work’s density, its meanings were more accessible. [more]

Composer Portraits Series: Beat Furrer featuring Either/Or

February 16, 2017

This is serious work. Without defiance of traditional or conservative contemporary classical music simply for mere defiance’s haughty sake, Furrer is developing his own particular vocabulary. And successful performance of Furrer’s music requires serious musicians. The musicians of Either/Or are a good match for this composer. Their technical skills are superb, marked by both muscular stamina and virtuosic creativity; equally important, their willingness to take performance risks is grounded in intellectual and artistic integrity. [more]

Composer Portrait: Iancu Dumitrescu with Either/Or

March 18, 2016

The evening was less about contemporary Romanian composer Dumitrescu, born in 1944, than about the music for which he is, in some mysterious sense, a medium. Each work is unique, each a premiere, even if its originating shape has existed before. The style of music in which Dumitrescu operates has recently been called Romanian Spectralism. Dumitrescu himself doesn't much use this phrase; he calls his music and the impulse to make music 'Orphism,' describing it, variously, as “natural, alive and intuitive” and “sonorous and refined ...from archaic sources.” [more]