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Palmer Hefferan

Fabulation, or The Re-Education of Undine

December 20, 2018

A hard-edged picaresque fable is what playwright Lynn Nottage came up with in her enjoyable, "Fabulation, or The Re-Education of Undine" that premiered in 2004. A two-time Pulitzer-Prize winner for Drama, Ms. Nottage is in a lighter mood here but her comic sequences have a bracing tone and the dialogue has her customary skillful depth. We’re in the exaggerated territory of "Watermelon Man" and "Bonfire of the Vanities." [more]

Wild Goose Dreams

November 24, 2018

In offering a window on a world most New York theatergoers know little about, Hansol Jung’s Wild Goose Dreams is a fascinating look at Korean culture. On the other hand, what appears to be a Korean obsession with the Internet and smartphones often becomes tedious as it goes on so long without bringing us much that is new. Leigh Siverman’s busy production creates a world of its own but is often overwhelming rather than enveloping. The Public Theater staging, a co-production with La Jolla Playhouse, may be of more interest to Millennials addicted to their electronic devices than the rest of the theatergoing public. However, this may be the trend of the future and older theatergoers may just have to get used to it. [more]

Pride and Prejudice

November 27, 2017

While this is not a Bedlam production as was Hamill’s hugely successful stage version of Austen’s second published novel, "Sense and Sensibility," director Amanda Dehnert has staged the play in their inimitable style for this co-production of Primary Stages and Hudson Valley Shakespeare Festival and has created a clever 19th century entertainment with a decidedly 21st century sensibility. The versatile Hamill has also given herself the plum role of Elizabeth Bennet, here known as Lizzy. [more]

School Girls; Or, the African Mean Girls Play

November 17, 2017

Ms. Bioh’s snappy dialogue perfectly renders the rhythms of teenage lingo and the pain beneath the bravado, emitting the universality of adolescence.  Bioh’s construction is meticulous as the events play out over 70 tight minutes.  Besides the foreign setting there’s nothing really “new” about the play but’s it’s so well written and gloriously presented. [more]

Orange Julius

January 23, 2017

On the one hand, it is a punch in the gut dramatizing the cold hard facts of disintegrating with this disease; on the other, the non-linear time scheme is difficult to follow, offering more questions than it answers. What "Orange Julius" really is could be described more accurately as a screenplay or a teleplay with cuts and fades. There is a powerful work hiding in this material but it still remains unshaped. Under Dustin Wills’ fast-paced direction, Jess Barbagallo, Ruy Iskandar, Irene Sofia Lucio, Stephen Payne and Mary Testa give fine performances despite the fact that the play seems to wander around trying to find its center. [more]