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Oliver Butler

What the Constitution Means to Me

April 5, 2019

The premise of the show (directed by Oliver Butler) is that the 2019 Schreck has decided to recreate one of the many presentations she participated in at American Legion halls around the country, back when she was a 15-year-old high-schooler from Wenatchee, Washington. These presentations were apparently oration/debate hybrids. They were vigorous exercises—and lucrative ones. Schreck was able to pay fully for her college education with prize money from these competitions, which centered on the content and implications of the U.S. Constitution and its amendments. Back in the day, young Heidi was a pro-Constitution “zealot.” [more]

Tom Pain (based on nothing)

November 23, 2018

Hall is not helped by an over-zealous production that, for some reason, turns the Signature’s Irene Diamond Stage into a construction site, complete with drop cloths, ceiling netting and lots of ladders ringing the stage—an odd, misleading choice by set designer Amy Rubin. Jen Schriever’s lighting manages to make this set mysterious. Schriever is also tasked with following Hall/Pain in his travels into the auditorium, using houselights along with stage lights with great skill. [more]

What the Constitution Means to Me

October 7, 2018

Though going off on tangents, the captivating performer Heidi Schreck’s self-written fascinating theatrical memoir "What the Constitution Means to Me" is a feminist-centric personal odyssey that uses the device of high school oratory.  The blonde and animated Ms. Schreck’s persona combines the dramatic qualities of Laura Linney with the quirky comedic essence of Teri Garr. After introductory remarks, the Washington state native discloses the show’s conceit. [more]

The Amateurs

March 3, 2018

Jordan Harrison’s "The Amateurs" is certainly an ambitious new play acted to the hilt by its cast of six. However, at times it bites off more than it can handle, at other times its anachronisms tear at the fabric of its story, and finally it goes out of its way to draw connections that the audience has already made. The play may need a stronger director than Oliver Butler has proved to be to pull this unwieldy drama into more satisfactory shape. [more]

The Light Years

March 16, 2017

Playwrights Hannah Bos and Paul Thureen with developer Oliver Butler, creatively evoke the tragic, nostalgic spirit of Booth Tarkington’s "The Magnificent Ambersons" and the wonderment of the works of humorist Jean Shepherd. The scenario is engaging and the characters are lovingly rendered. [more]

City Center Encores production of Jonathan Larson’s “tick, tick..BOOM!”

July 17, 2014

The audience packing City Center--whether applauding or laughing or cheering--certainly showed its enthusiasm throughout. The opening scene of "tick, tick...BOOM!" is very powerfully and economically written. I admire Larson's writing. Hearing those ticks (representing the relentless passing of time), and anticipating the coming boom (of an impending disaster that is somehow sensed without being fully understood) ... well, that came from a deep place. [more]