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Noelle Franco

Lear: That Old Man I Used to Know

September 14, 2019

Hopkins had added selections from Lewis Carroll (references to the Jabberwock and “The White Knight’s Song: The Aged Age Man,” the poem which gives her the new title), Emily Dickinson (“I’m Nobody! Who are you?”), Alfred Lord Tennyson’s “Ulysses” (“To strive, to seek, to find and not to yield”), and unidentified poems from Dylan Thomas. Aside from the fact that these are several centuries newer, all of these have a different rhythm than Shakespeare’s Lear. The music credits include Satie’s “Gymnopedie” No. 1, Chopin’s “Nocturne in E minor,” excepts from Beethoven’s Symphony No. 7 and Piano Sonata No. 23 in F minor, and “Ombra mai fu” from Handel’s opera Serse. The most outstanding problem is that we have other associations with this material so that they stick out like a sore thumb. [more]

Where Has Tommy Flowers Gone?

December 3, 2017

David Gow is the show’s producer and he also plays Tommy Flowers.  Mr. Gow perhaps saw this showy role as a vehicle for him to shine in and he does up to a point.  Gow is an appealing, very talented young man who gives an admirable performance in such problematic material. The part is up there with Ibsen’s epic Peer Gynt and Quentin in Arthur Miller’s verbose "After the Fall" in terms of duration.  Mr. Gow winningly displays stamina and range. However, it would take a colossus of the likes of a Robert Morse in "How to Succeed in Business Without Really Trying" to make this play even a qualified success. [more]