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Noah Brody

Merrily We Roll Along

February 27, 2019

Usually considered one of Sondheim’s lesser musicals, albeit with one of his best scores--and needless to say, that’s saying a lot--this production provides a heft and a story that are sorely lacking in previous versions. There is no denying or gainsaying its power to impress, as each and every song comes through with its capacity to build characters and tell stories. If the stories are less than satisfying in earlier productions, that’s due more to bookwriter George Furth (adapting the original play by George S. Kaufman and Moss Hart) than to Sondheim or to his other collaborators, each of who has provided an impeccable contribution to the current enterprise. [more]

Twelfth Night, or What You Will (Fiasco Theater)

December 21, 2017

While not as memorable as several previous Fiasco Theater productions, this "Twelfth Night" takes a while to get where it is going. After winding up the plot in the first half, it settles down to sparkling comedy in its second. A bare-bones production, it focuses attention on the language and the music rather than the usually rich trappings. It is an easy production to follow without being distracted by extraneous interpretations or ideas. [more]

As You Like It (CSC)

October 2, 2017

Known as the Shakespeare play with the most song lyrics, the production also includes a deliciously bouncy new score by Stephen Schwartz in different musical styles from the 1920’s – 1950’s, including setting some of Orlando’s mash notes to Rosalind which are usually spoken in verse. The musical numbers are mostly reassigned to the musical theater veterans like de Shields and Stillman who plays an onstage, upright piano, with Leenya Rideout on violin and double bass, and other members of the cast occasionally joining in on guitar and triangle. All of this adds to the festive, light-hearted atmosphere. Originally announced as a Jazz Age interpretation, that concept seems to have gone by the wayside. [more]

The Two Gentlemen of Verona 

May 31, 2015

For those who saw Fiasco Theater’s inventive and clever version of "Into the Woods" at the Roundabout’s Laura Pels Theatre earlier this year, you know what a delightful take this company has on material that has previously been performed in a traditional manner. If you didn’t see their Into the Woods or their previous production of "Cymbeline," then you are in for an absolutely delightful treat with their latest production, "The Two Gentlemen of Verona," now at the Theater for a New Audience’s Polonsky Shakespeare Center. Performed with a cast of six talented and resourceful actors (five of whom were members of both the "Cymbeline" and "Into the Woods" casts) in a barebones production which hits all its marks, this early Shakespeare comedy is always hilarious, always surprising, always accessible and always romantic. [more]

Into the Woods

February 6, 2015

Why another stage production of the Stephen Sondheim-James Lapine "Into the Woods" while the film version is currently playing? The Roundabout Theatre Company is hosting the ingenious, clever and witty Fiasco Theater production (previously seen at the McCarter Theatre Center in 2014) of this iconic musical using fairy tales from the Brothers Grimm which is the best musical revival in town. This is what every revival should be – a reinvention of the original material making it new enough that it wipes out memories of the original. If you did not see Fiasco’s six-character version of Shakespeare’s Cymbeline which had an extended run Off Broadway in 2011, then you are in for a delightfully surprising treat. [more]