New York City Center Stage II

Love + Science

June 8, 2023

As for the play itself, "Love + Science" tells a good story, even if not necessarily a new one. It’s largely another history of AIDS with a few scientific sprinkles thrown in. Where Glass’ script succeeds is in its characters and their determination. There are two especially poignant moments, conveyed by Melissa and Jane (both played by Williams), where they each confront Matt about how damaging his indecisiveness over owning his homosexuality is. And the scene where Jeff reproaches Matt for telling James that AIDS is 100% fatal is riveting. Lastly, it’s in the final scene where Glass’ play provides its most powerful message, when a now middle-aged Matt in 2021 compares the body count of AIDS to that of COVID-19, contrasting the swiftness with which the governments of the world produced a vaccine for COVID-19 where they have yet to create a vaccine for HIV, 40 years into the AIDS pandemic. [more]

Becomes a Woman

March 1, 2023

Originally entitled "Francie Nolan," the same as the title character of her later "A Tree Grows in Brooklyn," but unrelated to that story except for sharing its Brooklyn setting, the play does incorporate anecdotes and scenes that would later appear in Smith’s novels. "Becomes a Woman" is uneven in tone, with a first act that is comedic, a second that is melodramatic, and a final act that is dramatic. On the one hand, the play is now a period piece depicting strict mores and values that have loosened up a great deal; on the other hand, much of its cavalier treatment of women is still unfortunately true today. While the first two acts resemble a great many films and plays of the 1930’s concerning fallen women, it is the third act which is progressive and ahead of its time, so much so that it may have scared off the all-male producing fraternity of those days. While the women are beautifully written, the male characters are undeveloped and not believable. As a result, the acting is the same with the best performances by the actresses and some unreal work by the men. [more]

The Rat Trap

November 23, 2022

Noel Coward’s "The Rat Trap" is not only entertaining but seems to have been ahead of its time. Discounted by critics and the author alike when it had its only production until now in 1926, the play turns out to be a cogent exploration of a creative woman’s search for her place in society, one which has no niche for her talents once she is a married woman. The Mint Theater Company does the play justice, restoring its reputation as an Edwardian period piece on the topic of the New Woman who is also a gifted artist. In Sarin Monae West and Elisabeth Gray we see the work of talented performers who we want to see more of in the future. [more]

Harry Townsend’s Last Stand

December 6, 2019

Cariou is now appearing Off-Broadway as the titular character in playwright George Eastman’s slight though moving two-character work, Harry Townsend's Last Stand. Sharp one-liners, funny set ups and punchlines and wistful observations abound throughout Mr. Eastman’s effective familiar scenario. It is playwrighting at its basic best, delivering two hefty empathetic roles for actors to attack while delighting the audience. [more]

Nassim

December 25, 2018

In the course of this unusual performance piece, the actor and the audience learn a bit of Farsi, the author’s native language, and actor and author share stories of their lives and likes, and become friends. There is audience participation and volunteers are called for. The playwright eventually joins the actor on stage but remains silent, communicating by pointing to the script which is projected so that the audience can see the author’s questions and instructions to the actor. The play is a series of exercises, games and tests. [more]

Party Face

January 31, 2018

The best reason to see Isobel Mahon’s "Party Face" is to see the ever-lovely Hayley Mills who used to play mischievous teens and now is playing busy-body mothers. The play is diverting though it has nothing new to say about women and their contemporary roles. Under Amanda Bearse’s direction, the play also gives Klea Blackhurst another off-beat comic role in which she shines. [more]

Ring Twice for Miranda

February 19, 2017

Although "Ring Twice" is filled to the brim with socio-political symbolism, it’s not likely that the author was trying for any direct reference to the current maddening political scene since gestation periods for plays are notoriously long. Clearly this play was written well before the 2016 election, so any vague commentary appears to be inadvertent. This is not to say that the metaphors and symbols Hruska uses aren’t intriguing in their own way. [more]