Natalie Douglas Archives - TheaterScene.net

Natalie Douglas

Irving Berlin and Me (And a Brush with Death Along the Way)

April 5, 2022

In the past 20 years, I’ve produced a total of 34 different albums; 16 of them have dealt with Irving Berlin (1888-1989). The newest album in this ongoing Berlin series, "Chip Deffaa’s Irving Berlin: Love Songs and Such"--featuring such gifted artists as Betty Buckley, Karen Mason, Steve Ross, Anita Gillette, Jon Peterson, Natalie Douglas, Jeff Harnar, Sarah Rice, Bobby Belfry, Keith Anderson, Molly Ryan, and Seth Sikes--was the hardest of all the albums to produce. And, for reasons I’ll address in a bit, it took by far the longest time to produce; life is not always easy. But for me, this is the most satisfying album of the bunch. (And as I type these words, I’m happy to note it’s just been nominated for a MAC Award, which is extra gratifying!) I know I’ve made a worthwhile contribution to Berlin’s recorded legacy. [more]

Saloons: Some Enchanted Evenings

May 14, 2016

Cabaret has always been a mixed bag. The golden age is gone. However, in today's schizo world of nightclubs, things are looking pretty good. It is a milieu unique in the entertainment industry. And, it continues to reinvent itself. The late cabaret critic Martin Schaeffer wrote in Back Stage in 1993,“There cannot be a better night of classic American music than a Bobby Short gig at The Carlyle.” He was right; especially if you're a purist of the Great American Songbook. [more]

The Algonquin Kid

December 27, 2015

Colby’s fascinatingly entertaining autobiography, "The Algonquin Kid," was turned into a one-time theatrical event as part of the Urban Stages’ Winter Rhythms series, hosted by Mr. Colby, produced and directed by Peter Napolitano, with Bill Zeffiro at the piano playing a rich list of songs associated with the many famously creative hotel guests and a few written by Mr. Colby himself. As a real-life Eloise, Mr. Colby was witness to much history and this show, barely scratching the surface, was witness to his good fortune. [more]

The 30th Annual Bistro Awards

March 9, 2015

Beaming Broadway musical comedy veteran, Lee Roy Reams presented the final honor, the ASCAP Major Engagement Award to Lillias White. “My grandmother’s table was my cabaret,” she recalled about the beginning of her long and successful career. In a full-out performance, she then recreated her Tony Award-winning role as an aging prostitute, from the 1997 Broadway musical The Life, with her signature song, “The Oldest Profession.” It was a commanding and fitting finale to this exuberant event. [more]