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Miranda Haymon

Really Really Gorgeous

January 31, 2020

"Really Really Gorgeous" has an often-amusing absurdist and surrealistic sensibility. Plot turns take on the illogical quality that exists in dreams or in kids’ games of “Let’s pretend.” For instance, at one point, Pen discovers that by curling her hand in a certain way, she can transform it into a magical ammo-firing “finger gun” that can be used as an instrument of destruction. This may seem like goofy stuff, but Mecikalski the allegorist has serious points to make here: about celebrity and despotism and about the swiftness with which the sentiments of a desperate, fickle populace can change. [more]

In the Penal Colony

July 20, 2019

Playwright and director Miranda Haymon has, like numerous dramatists before her, dramatized this story—except that she has significantly repurposed it. Working with three African-American actors, she has used the tale as a taking-off point for an hour-long play focused on the experience of young black men in America. As the press release puts it, “ 'In the Penal Colony' investigates the performance of power, patriarchy and punishment. Three black men convene in an unnamed penal colony, asking what it means for them to exist in the media, when observed, when consumed, when punished.” [more]

In the Penal Colony

September 9, 2018

Director Miranda Haymon’s electric staging of her pared down yet faithful adaptation is filled with dialogue characteristic of Kafka and bracing sequences. Basketball is a key visual metaphor as the performers mime shooting hoops, run in place, do pushups and vigorously glide from bit to bit. Ms. Haymon’s commanding technique is combined with technical production achievements. Zack Lobel’s intense lighting design and sound designers Anthony Dean and Matthew Catron’s blaring whistles and pulsing renditions of electronic music all yield to an entrancing presentation. This plays out on scenic designer Tekla Monson’s stark bare black-accented set that is backed by a mirror. [more]